A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)Macklin, Charles
General
A Will and No Will; or, A Bone for the Lawyers. (1746) The New Play Criticiz'd, or the Plague of Envy. (1747)
Macklin, Charles
English drama -- 18th century
[1] As indicated in the Introduction to _The Covent Garden Theatre, or
Pasquin Turn'd Drawcansir_, Number 116, Augustan Reprint Society, the
author is indebted to the Henry E. Huntington Library, San Marino,
California, both for a Research Fellowship in the summer of 1963 and
for permission to reproduce the three Macklin plays in the Larpent
Collection (Larpent 58, 64 and 96) which had not previously been
printed.
[2] Arthur H. Scouten, _The London Stage_ (Carbondale, Ill., 1961),
Part 3, II, 1235.
[3] James T. Kirkman, _Memoirs of the Life of Charles Macklin, Esq._
(London, 1799), II, 443, lists this subtitle in an appendix of
Macklin's unprinted plays.
[4] George Winchester Stone, _The London Stage_ (Carbondale, Ill.,
1962), Part 4, 1, 38, 40, 41, 43, 47, 48.
[5] Cf. Alexandre Calame, _Regnard sa vie et son oeuvre_ (Paris,
1960), pp. 323-333.
[6] See _The London Stage_, Part 3, II, 1287-90, 1297, 1298, 1308,
1309 for the dates when Hoadly's _The Suspicious Husband_ and
Macklin's THE NEW PLAY CRITICIZ'D were performed close together.
A WILL AND NO WILL:
OR
A BONE FOR THE LAWYERS[1]
PROLOGUE
DRAMATIS PERSONAE for the Prologue
RATTLE
SMART
DULLMAN
IRISHMAN
SNARLEWIT
(_The Curtain rises and discovers the Stage disposed in the Form of a
Pit and crowded with Actors who make a great Noise by Whistling and
Knocking for the Farce to begin_)
_Rattle._ Consume them, why don't they begin?
_Smart._ I suppose some of them that were in the Play are dressing for
the Farce.
_Rattle._ Psha! damn the Farce! They have had time enough to dress
since the Play has been over.
_Smart._ Dick Rattle, were you at the Boxing Match yesterday?
_Rattle._ No, my Dear, I was at the breakfasting at Ranelagh.--Curse
catch me, Jack[2], if that is not a fine Woman in the upper Box there,
ha!
_Smart._ So she is, by all that's charming,--but the poor Creature's
married; it's all over with her.
_Rattle._ Smart, do you go to Newmarket this meeting,--upon my Soul
that's a lovely Woman on the right hand. But what the Devil can this
Prologue be about, I can't imagine. It has puzzled the whole Town.
_Smart._ Depend upon it, Dick, it is as I said.
_Rattle._ What's that?
_Smart._ Why one of the Fransique's, the French Harlequin's Jokes; you
will find that one of the Players come upon the Stage presently, and
make a[n] Apologie that they are disappointed of the Prologue, upon
which Macklin, or some other Actor is to start up in the Pit, as one
of the Audience, and bawl out that rather than so much good Company
should be disappointed, he will speak a Prologue himself.
_Rattle._ No, no, no, Smart. That's not it. I thought of that and have
been looking carefully all over the Pit, and there is not an Actor in
it. Now I fancy it is to be done like the Wall or the Man in the Moon
in Pyramus and Thisbe; Macklin will come in dressed like the Pit and
say:
_Ladies and Gentlemen, I am the Pit
And a Prologue I'll speak if you think fit._
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account