This said, the burgomaster pressed a bell with the end of his little finger, which gave forth a muffled sound, which seemed less a sound than a sigh. Presently some light steps glided softly across the tile floor. A mouse would not have made less noise, running over a thick carpet. The door of the room opened, turning on its well-oiled hinges. A young girl, with long blonde tresses, made her appearance. It was Suzel Van Tricasse, the burgomaster’s only daughter. She handed her father a pipe, filled to the brim, and a small copper brazier, spoke not a word, and disappeared at once, making no more noise at her exit than at her entrance. [Illustration: She handed her father a pipe] The worthy burgomaster lighted his pipe, and was soon hidden in a cloud of bluish smoke, leaving Counsellor Niklausse plunged in the most absorbing thought. The room in which these two notable personages, charged with the government of Quiquendone, were talking, was a parlour richly adorned with carvings in dark wood. A lofty fireplace, in which an oak might have been burned or an ox roasted, occupied the whole of one of the sides of the room; opposite to it was a trellised window, the painted glass of which toned down the brightness of the sunbeams. In an antique frame above the chimney-piece appeared the portrait of some worthy man, attributed to Memling, which no doubt represented an ancestor of the Van Tricasses, whose authentic genealogy dates back to the fourteenth century, the period when the Flemings and Guy de Dampierre were engaged in wars with the Emperor Rudolph of Hapsburgh. This parlour was the principal apartment of the burgomaster’s house, which was one of the pleasantest in Quiquendone. Built in the Flemish style, with all the abruptness, quaintness, and picturesqueness of Pointed architecture, it was considered one of the most curious monuments of the town. A Carthusian convent, or a deaf and dumb asylum, was not more silent than this mansion. Noise had no existence there; people did not walk, but glided about in it; they did not speak, they murmured. There was not, however, any lack of women in the house, which, in addition to the burgomaster Van Tricasse himself, sheltered his wife, Madame Brigitte Van Tricasse, his daughter, Suzel Van Tricasse, and his domestic, Lotchè Janshéu. We may also mention the burgomaster’s sister, Aunt Hermance, an elderly maiden who still bore the nickname of Tatanémance, which her niece Suzel had given her when a child. But in spite of all these elements of discord and noise, the burgomaster’s house was as calm as a desert.