I dined at a restaurant in the Strand, and then, growing confident in
the security of my disguise, I thought I would take a farewell glance
at an old chum who had run Edgar pretty close in my esteem. He was an
actor, and was fulfilling an engagement at a theatre in the Strand.
When I add that he played what are technically called 'juvenile'
parts--that is to say, those of the stage lovers--my taste may seem
strange, until I explain that Fabian Scott was the very worst of all
the fashionable 'juveniles,' being addicted to literary and artistic
pursuits and other intellectual exercises which, while permissible and
innocuous to what are called 'character' actors, are ruin to
'juveniles,' whose business requires vigour rather than thought,
picturesqueness rather than feeling. So that Fabian, with his thin
keen face, his intensity, and some remnant of North-country stiffness,
stood only in the second rank of those whom the ladies delighted to
worship; and becoming neither a great artist nor a great popinjay,
gave his friends a sense of not having done quite the best with
himself, but was a very interesting, if somewhat excitable companion.
For my own part I had then, not knowing how vitally important the
question of his character would one day become to me, nothing to wish
for in him save that he were a little less sour and a little more
sincere.
The stage-door was up a narrow and dirty court leading from the
Strand. At the opening of the court stood a stout fair man, who looked
like a German, and whose coarse, swollen face and dull eyes bore
witness to a life of low dissipation. He was respectably but not well
dressed, and he swung the cheap and showy walking-stick in his hand
slowly backwards and forwards, in a stolidly swaggering and aggressive
manner. I should not have noticed him so particularly, but for the
fact that he filled the narrow entrance to the passage so completely
that I had to ask him to let me pass. Instead of immediately
complying, he looked at me from my feet to my head with surly,
half-tipsy insolence, and gave a short thick laugh.
'Oh, so you're one of the swells, I suppose, who come hanging round
stage-doors to tempt hard-working respectable women away from their
lawful husbands! But it won't do. I tell you it won't do!'
I pushed him aside with one vigorous thrust and went up the court,
followed by the outraged gentleman, who made no attempt to molest me
except by a torrent of abusive eloquence, from which I gathered that
he was the husband of one of the actresses at the theatre, and that
she did not appreciate the virtues of her lord and master as he
considered she ought, but that, nevertheless, he persisted in
affording her the protection of his manly arm, and would do so in
spite of all the d----d 'mashers' in London.
Public-domain text, read in full here on John Shaqi.
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