'Will you have some quince-marmalade, Mr. Maude?' she asked, as she
came back to the table with a little glass dish in her hand.
And she leaned over my shoulder to help me to the preserve, while her
mother, who had guessed with great glee the name of my Christmas
visitor, was still overflowing with exultation at the great news. For
she did not once doubt the object of his coming, which, indeed, I had
suggested by a delicate archness in which I took some pride.
Shortly after tea I rose to go, being tired out with my two rapid and
sleepless journeys. Mrs. Ellmer bade me good-night with kind concern
for my fatigue.
'Indeed, I don't think travelling agrees with you, or else you tried
to do too much in your short visit, for you look drawn, and worn, and
ill, and ten years older than when you started,' she said
solicitously.
'Yes, I'm getting too old for dissipation,' I said lightly.
Babiole was standing by the door; she was watching me affectionately,
and had evidently some private and particular communication to make to
me, by the impatience with which she rattled the door-handle. At last
I had shaken hands with Mrs. Ellmer and had got out into the passage.
The girl shut the room door quickly and threw herself upon my arm,
giving at last free rein to her excitement and passionate gratitude.
The gaze of her pure eyes, shining, not with earthly passion, but with
the ecstatic light of a dying saint, who sees the heavens opening to
receive him, struck a new fear into my heart. The happiness this
child-woman looked for was something which Fabian Scott, artist though
he was, with splendid verbal aspirations and chivalrous devotions,
would not even understand. As she poured forth soft whispering thanks
for my goodness--she knew it was all my doing, she said; she had even
guessed beforehand what I was going to do--I felt my eyes grow moist
and my voice husky.
'My child,' I whispered back, 'don't thank me. It hurts me, for I am
not sure that I am not bringing upon you a great and terrible
misfortune.'
Public-domain text, read in full here on John Shaqi.
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