In short, it was her peculiarity to blush readily for matters quite
outside herself, and to show the male observer (if any) the amazing
sensibility, apart from egotism, that sometimes adorns a young,
high-minded woman, not yet hardened by the world.
This young lady was Zoe Vizard, daughter of Harrington's father by a
Greek mother, who died when she was twelve years of age. Her mixed origin
showed itself curiously. In her figure and face she was all Greek, even
to her hand, which was molded divinely, but as long and large as befitted
her long, grand, antique arm; but her mind was Northern--not a grain of
Greek subtlety in it. Indeed, she would have made a poor hand at dark
deceit, with a transparent face and eloquent blood, that kept coursing
from her heart to her cheeks and back again, and painting her thoughts
upon her countenance.
Having installed herself, with feminine instinct, in a crimson couch that
framed her to perfection, Zoe Vizard was at work embroidering. She had
some flowers, and their leaves, lying near her on a little table, and,
with colored silks, chenille, etc., she imitated each flower and its leaf
very adroitly without a pattern. This was clever, and, indeed, rather a
rare talent; but she lowered her head over this work with a demure,
beaming complacency embroidery alone never yet excited without external
assistance. Accordingly, on a large stool, or little ottoman, at her
feet, but at a respectful distance, sat a young man, almost her match in
beauty, though in quite another style. In height about five feet ten,
broad-shouldered, clean-built, a model of strength, agility, and grace.
His face fair, fresh, and healthy-looking; his large eyes hazel; the
crisp curling hair on his shapely head a wonderful brown in the mass, but
with one thin streak of gold above the forehead, and all the loose hairs
glittering golden. A short clipped mustache saved him from looking too
feminine, yet did not hide his expressive mouth. He had white hands, as
soft and supple as a woman's, a mellow voice, and a winning tongue. This
dangerous young gentleman was gazing softly on Zoe Vizard and purring in
her ear; and she was conscious of his gaze without looking at him, and
was sipping the honey, and showed it, by seeming more absorbed in her
work than girls ever really are.
Matters, however, had not gone openly very far. She was still on her
defense: so, after imbibing his flatteries demurely a long time, she
discovered, all in one moment, that they were objectionable. “Dear me,
Mr. Severne,” said she, “you do nothing but pay compliments.”
“How can I help it, sitting here?” inquired he.
“There--there,” said she: then, quietly, “Does it never occur to you that
only foolish people are pleased with flatteries?”
“I have heard that; but I don't believe it. I know it makes me awfully
happy whenever you say a kind word of me.”
Public-domain text, read in full here on John Shaqi.
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