These simple words, articulated firmly, and in a contralto voice of
singular volume and sweetness, sent Karl skipping; but their effect on
Mr. Ashmead was more remarkable. He started up from his chair with an
exclamation, and bent his eyes eagerly on the melodious speaker. He could
only see her back hair and her figure; but, apparently, this quick-eared
gentleman had also quick eyes, for he said aloud, in English, “Her hair,
too--it must be;” and he came hurriedly toward her. She caught a word or
two, and turned and saw him. “Ah!” said she, and rose; but the points of
her fingers still rested on the book.
“It is!” cried Ashmead. “It is!”
“Yes, Mr. Ashmead,” said the lady, coloring a little, but in pure
English, and with a composure not easily disturbed; “it is Ina Klosking.”
“What a pleasure,” cried Ashmead; and what a surprise! Ah, madam, I never
hoped to see you again. When I heard you had left the Munich Opera so
sudden, I said, 'There goes one more bright star quenched forever.' And
you to desert us--you, the risingest singer in Germany!”
“Mr. Ashmead!”
“You can't deny it. You know you were.”
The lady, thus made her own judge, seemed to reflect a moment, and said,
“I was a well-grounded musician, thanks to my parents; I was a very
hard-working singer; and I had the advantage of being supported, in my
early career, by a gentleman of judgment and spirit, who was a manager at
first, and brought me forward, afterward a popular agent, and talked
managers into a good opinion of me.”
“Ah, madam,” said Ashmead, tenderly, “it is a great pleasure to hear this
from you, and spoken with that mellow voice which would charm a
rattlesnake; but what would my zeal and devotion have availed if you had
not been a born singer?”
“Why--yes,” said Ina, thoughtfully; “I was a singer.” But she seemed to
say this not as a thing to be proud of, but only because it happened to
be true; and, indeed, it was a peculiarity of this woman that she
appeared nearly always to think--if but for half a moment--before she
spoke, and to say things, whether about herself or others, only because
they were the truth. The reader who shall condescend to bear this in mind
will possess some little clew to the color and effect of her words as
spoken. Often, where they seem simple and commonplace--on paper, they
were weighty by their extraordinary air of truthfulness as well as by the
deep music of her mellow, bell-like voice.
“Oh, you do admit that,” said Mr. Ashmead, with a chuckle; “then why jump
off the ladder so near the top? Oh, of course I know--the old story--but
you might give twenty-two hours to love, and still spare a couple to
music.”
“That seems a reasonable division,” said Ina, naively. “But”
(apologetically) “he was jealous.”
“Jealous!--more shame for him. I'm sure no lady in public life was ever
more discreet.”
“No, no; he was only jealous of the public.”
“And what had the poor public done?”
“Absorbed me, he said.”
Public-domain text, read in full here on John Shaqi.
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