When the ladies got their cloaks and lace scarfs, to put over their heads
coming home, the party proved to be only three, and the tickets five; for
Miss Maitland pleaded headache.
On this, Lord Uxmoor said, rather timidly, he should like to go.
“Why, you said you hated music,” said Vizard.
Lord Uxmoor colored. “I recant,” said he, bluntly; and everybody saw what
had operated his conversion. That is a pun.
It is half an hour, by rail, from Frankfort to Homburg, and the party
could not be seated together. Vizard bestowed Zoe and Lord Uxmoor in one
carriage, Fanny and Severne in another, and himself and a cigar in the
third. Severne sat gazing piteously on Fanny Dover, but never said a
word. She sat and eyed him satirically for a good while, and then she
said, cheerfully, “Well, Mr. Severne, how do you like the turn things are
taking?”
“Miss Dover, I am very unhappy.”
“Serves you right.”
“Oh, pray don't say that. It is on you I depend.”
“On me, sir! What have I to do with your flirtations?”
“No; but you are so clever, and so good. If for once you will take a poor
fellow's part with Miss Vizard, behind my back; oh, please do--pray do,”
and, in the ardor of entreaty, he caught Fanny's white hand and kissed it
with warm but respectful devotion. Indeed, he held it and kissed it again
and again, till Fanny, though she minded it no more than marble, was
going to ask him satirically whether he had not almost done with it, when
at last he contrived to squeeze out one of his little hysterical tears,
and drop it on her hand.
Now, the girl was not butter, like some of her sex; far from it: but
neither was she wood--indeed, she was not old enough for that--so this
crocodile tear won her for the time being. “There--there,” said she;
“don't be a baby. I'll be on your side tonight; only, if you care for
her, come and look after her yourself. Beautiful women with money won't
stand neglect, Mr. Severne; and why should they? They are not like poor
me; they have got the game in their hands.” The train stopped. Vizard's
party drove to the opera, and Severne ordered a cab to The Golden Star,
meaning to stop it and get out; but, looking at his watch, he found it
wanted half an hour to gambling time, so he settled to have a cup of
coffee first, and a cigar. With this view he let the man drive him to The
Golden Star.
CHAPTER III.
INA KLOSKING worked night and day upon Siebel, in Gounod's “Faust,” and
upon the songs that had been added to give weight to the part.
She came early to the theater at night, and sat, half dressed, fatigued,
and nervous, in her dressing-room.
Crash!--the first _coup d'archet_ announced the overture, and roused her
energy, as if Ithuriel's spear had pricked her. She came down dressed, to
listen at one of the upper entrances, to fill herself with the musical
theme, before taking her part in it, and also to gauge the audience and
the singers.
Public-domain text, read in full here on John Shaqi.
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