England -- Fiction; Man-woman relationships -- Fiction; Murder -- Fiction
As the night gave place to day--and the day was full of pleasing
incidents as well as of fresh proofs of Vansittart’s devotion; he
arrived early, and took "her in hand," kept her cheerful, and, with his
flow of joyous content, would not allow her a leisure moment for her
"morbidity," as he called it--she seemed to settle down a little, as one
respited for a time, who deliberately determines to make the most of the
term of peace. The days went by quickly, for with such a function as a
brilliant wedding imminent, there was a perpetual bustle, there were
continual obligatory goings to and fro. Besides, Vansittart mapped out
the days--rides, drives, receptions, dances, all formed part of his
scheme to entertain her until she would be his wife, feeling his
emotions, thinking his thoughts. Only the theatre was rigidly excluded.
He avoided even the subject of the stage, nor did he allow her to hear
much music. He considered that of all the arts music had the greatest
power to reproduce past sensations, to recall memories, especially
undesirable ones. He was rewarded for his solicitude by seeing his
beloved outwardly cheerful, and apparently at ease.
Joan was, indeed, as the days went quietly by, encouraged by the lack of
disturbing elements, by the entire absence of any signs that the tragedy
of Victor Mercier’s death had any life left in it to torment her. She
had promised herself that, if nothing happened before her marriage day,
she might consider that she was practically safe. And at last the happy
day dawned--a glorious summer morning--and, arising with gratitude in
her heart, she murmured a fervent "Thank God!"
The house was crammed full of visitors--mostly the bridesmaids and their
chaperons. At an early hour these girls, attired in their delicate
chiffon frocks and "picture hats," were fluttering about the mansion
like belated butterflies; for the marriage was to be early, for a
fashionable one, to enable Lord and Lady Vansittart to start betimes for
their honeymoon, which was to be spent on board Vansittart’s yacht, but
where, remained the young couple’s secret. The bride was closeted in her
room, Julie alone was with her. "I do not wish any one to see me before
I appear in church," she had said, so decidedly, that her attendant
maidens subdued their curiosity and started for the church in a couple
of carriages--there were eight of them--without having had even a
glimpse of the bridal attire.
Joan felt that she could not have borne the innocent chatter of those
bright, unconscious girls, so happy in their unsullied ignorance of life
and its undercurrent of horrors. Only in a silent, inward clinging to
the thought of Vansittart--so soon to be her husband, her mainstay, her
refuge, her only hope--could she endure the few hours before she would
be safe--safe--alone with him on the high seas, no one knowing where
they were or whither they were going.
Public-domain text, read in full here on John Shaqi.
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