England -- Fiction; Man-woman relationships -- Fiction; Murder -- Fiction
Julie? Julie was her servant, of late quite her obsequious slave, with
the prospect of being maid to "a great lady," and therefore a personage
among her compeers before her. Julie was silent when she was silent. So
no bride had ever been decked for the altar with greater show of
solemnity than was Joan on her wedding morn.
"Am I good enough--do I look good enough--for him?" she asked herself as
she gazed at her reflection in the long mirrors arranged by Julie so
that she could see herself at all points--full face, back, profile. What
she seemed to see was a pyramid of glistening satin, a quantity of lace,
and a small pathetic face with a golden glimmer about it, under a frothy
veil.
"A bride’s dress is very unbecoming, after all," she somewhat gloomily
said, as she accepted the bouquet Julie handed her--myrtle and delicate
orchids; for she had told Vansittart, urged by the dread of being
confronted with blossoms like the one she had seen in Victor Mercier’s
buttonhole as he lay dead, that if there were any strongly perfumed
flowers about she might faint; a threat which had driven Vansittart to
the florist who was to decorate the church to veto all but scentless
blossoms. "It seems strange, does it not, Julie? that weddings and
funerals should have the same kind of flowers."
Julie gave a little shriek. "Mais, mademoiselle, to speak of death on
your wedding-day!"
"There are worse things than death, Julie," said she, with a sigh. And
she proceeded below, Julie carefully carrying her train, while wondering
with some dismay at her young mistress’s extraordinary _tristesse_,
then, met by the somewhat agitated Sir Thomas in the hall, she drove
with him to the church.
Policemen were keeping back the crowd. She went up the flight of
crimson-carpeted steps, and, passing into the church, dimly saw a double
line of bridesmaids, with their pure white frocks and eager, blushing
faces; then the officiating clergymen and choristers in their surplices.
"They meet a bride as they meet the dead," she thought, with a delirious
instinct to burst into laughter. Then she heard the sweet, solemn
strains of the wedding hymn, and she felt rather than saw Vansittart,
his manly form erect, even commanding, standing at the altar awaiting
her, his eyes fixed gravely on her, compelling her by some mesmeric
influence to be calm.
How dreamlike it all was! The serious, holy words; the sacred promises;
the ring placed upon her finger; the farce, to her who had lost the
power to pray real prayers, of kneeling on bended knees with downcast
eyes at her husband’s side; then the fuss and fervour in the vestry, the
cheery smiles of the clergy, the excited embraces, the tiresome
congratulations. Suddenly she began to feel her carefully-accumulated
patience give way, and in a terror lest she should betray herself, she
turned to Vansittart.
"Cannot we go now?" she almost wailed, with a pathetic, entreating
glance.
"Of course, my dearest!"
Public-domain text, read in full here on John Shaqi.
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