The weather had changed into days of deep blue skies, splendid days
full of the warmth of potential power; and nights filled with
fragrance, nights of fierce beauty, and the glamour of golden moons,
and the thrilling melody of that feathered Israfel, the
mocking-bird. Through our open windows immense moths, spirits of the
summer nights, drifted in on enameled and jeweled wings and circled
in a fire-worshiping dance around our light.
Those were wonderful days. For that was a house of surprises, a
house full of laid-by things. One never knew what one was going to
find. One morning it might be a Ridgway jug all delicate vine leaves
and faun heads, or an old blue-and-white English platter, or a piece
of fine salt-glaze. On the top shelf of a long-locked closet, pushed
back in the corner, you'd discover a full set of the most beautiful
sapphire glassware, and a pagoda work-box with ivory corners; and on
a lower shelf, wrapped in half a moth-eaten shawl, two glowing
luster jugs in proof condition. Mary Magdalen salvaged a fine china
sillabub stand, with little white-and-gold covered cups on it, from
a sooty box under a kitchen cupboard. A back drawer of the dusty
office desk yielded up half a dozen exquisite prints. And I'm sure
Alicia will remember even in heaven the ecstasy she experienced when
a battered bureau gave into her hands the adorable Bow figures of
Kitty Clive and Woodward the actor, she pink-and-white, petticoated
and furbelowed, lovely as when London went mad over her, and he
cocked-hatted and ruffled and dandified; and neither with so much as
the least littlest chip to mar their perfection.
Or a hair trunk would reveal little frocks stitched by hand, and a
pair of tiny flat slippers with strings gone to dust like the little
feet that had worn them. With these were two dolls, one dressed in
sprigged India muslin and lace, with a shepherdess hat glued on her
painted head; the other dressed in a poke-bonnet, a satin sack, and
a much-flounced skirt. They had evidently belonged to "Lydia, our
Darling Child," whose name, in unsteady letters, was painfully set
down in the printed picture-books at the bottom of the trunk. These
things that had belonged to a "darling child" so long dead lent the
grim old house a softening touch. Poor old house, whose little
children had all gone, so long ago!
It was the day we were taking up the beautiful old carpet in the
back drawing-room. Alicia was rejoicing for the thousandth time over
this treasure of hand-woven French art. Of a sudden, horrible yells
rose from the garden, and a shrieking negro went by the window like
an arrow. We caught "Murder!--Ol' Witch!--Corpses!" as he
disappeared. Uncle Adam, catching his panic, bolted with him; the
two negro women followed. Only Mary Magdalen, amazonian arms bare, a
rolling-pin grasped in a formidable fist, stood like a rock of
defense behind us.
Public-domain text, read in full here on John Shaqi.
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