We did discover one human touch laid upon the place by Sophronisba
herself. She had gathered together a full set of small, hand-colored
photographs of Confederate generals, wrapped them in a hand-made
Confederate flag, into which was tucked a receipt signed by Judah
Benjamin for Hynds silver melted into a bar and given to the Cause,
written, "The glory is departed," across the package, and hidden it.
Alicia, who had a hankering after Confederates, herself, put the
photographs in a leather-covered album at least as old as
themselves, and kept them sacredly. She said these were America's
own vanquished and vanished Trojans, and that one got a lump in the
throat remembering how
Fallen are those walls that were so good,
And corn grows now where Troy town stood.
Schmetz brought us our upholsterer, Riedriech the cabinet-maker,
most cunning of craftsmen, who knew all there is to know about old
furniture and just what should and shouldn't be done to it. In
addition he was a grizzled, bearded, shambling old angel who clung
to a reeking pipe and Utopian notions, a pestilent and whole-hearted
socialist who would call the President of the United States or the
president of the Plumbers' Union "Comrade" equally, and who put
propagandist literature in everything but our hair.
"Mr. Riedriech," you would say reproachfully, "yesterday I
discovered Karl Marx and Jean Jaures lurking behind my coffee-pot
and Fourier under the butter-dish. To-day I find Karl Kautsky in
ambush behind the cream-jug and Frederick Engels under the rolls."
Riedriech would regard you paternally, placidly, benevolently,
through his large, brass-rimmed spectacles:
"So? Little by little the drop of water the granite wears away. I
give you the little leaflet, the little pamphlet, _und_ by and by
comes the little hole in your head."
Thank heaven the doctor next door didn't hear that!
Alicia knew how to handle the old visionary with innocent but
consummate skill. Looking at the kind old bear with her Irish eyes:
"It must be a wonderful thing to have such mastery of one's tools,
to know exactly what to do and how to do it," she would sigh.
"'Tisn't everybody can be a master craftsman!"
"I show you in a little while what iss cabinet-making!" he said
proudly. "I do more yet by you," he added charitably, "then make
over for you chairs and tables and such, already: I make over for
you your little mind."
The old socialist did indeed show us what cabinet-making can be. He
turned the office behind the library into a workroom, and from it
Sophronisba's tattered and torn and forlorn old things emerged,
piece by piece, in shining rosewood and walnut and mahogany majesty.
If you love old furniture; if it gives you a thrill just to touch a
period chair of incomparable grace, or the smooth surface of an old
table, or the curve of a carved sofa, you'll understand Alicia's
open rapture and my more sedate delight.
Public-domain text, read in full here on John Shaqi.
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