"There's no two ways about it," insisted Cecelia Brune; "you gotta get a hold of some rich guy and freeze to him." The extent to which Cecelia had blossomed out in ostrich tips and orchids that bright spring afternoon, might have suggested to an experienced eye, that the freezing process had already begun. I say might have, because Sarah and I found it difficult to disassociate her from the hard, grubby innocence in which our acquaintance had begun. Sarah, I know, believed in her and had her in often to informal occasions as a bulwark against what, with all her faith and pains, she didn't finally save her from. "You can talk all you want to," Cecelia asseverated, "about man being the natural provider. I've noticed he don't work at the job much without he's gettin' something out of it. If you're sufferin' with that little old song and dance about men doin' for you because you're a woman and need it, you gotta get over it. There's nothin' laid down over that counter unless you deliver the goods." She was nibbling lumps of sugar moistened in her tea, and the wild rose of her cheeks and the distracting rings of her hair made her offensiveness a mere childish impertinence. "Look at Helen Matlock," she ran on, "gettin' five hundred a week. And when old Sedgwick put it up to her she said she'd die rather; and then she went home and found her mother sick, and what did she do? Never batted an eye, but told her she'd got an engagement, and went back and made it good. An' now she's gettin' five hundred. That's what I call doin' well by yourself." "She can't mean it," Sarah extenuated when Cecelia had gone; "she's too frank about it. When she stops talking I shall begin to suspect her." "But is it true, about Miss Matlock, I mean?" Just at that juncture Helen Matlock was doing the work I felt most drawn to, most fit to undertake. "I suppose so," Sarah allowed; "it's a common saying that the way to the footlights in the Majestic is through the manager's private room." She came over and sat beside me on the bed, which, under a Bagdad curtain, did duty as a couch. "There are other theatres besides the Majestic," she said. "None that want me," I averred. "Oh," she cried, "you don't mean----?" "No," I had to own, "I don't mean that I have a chance to get on even by misbehaving myself. I'm not the kind to whom that sort of chance comes." Sarah stroked my hand a while. "I've been thinking, if you could get a small part or a season, you could take it under another name until you are quite yourself again. It's often done." I could see she had gone much farther than that with it in her thought. It was just such cover as that I was seeking for the renaissance of my acting power. And that was what led to my going out to Suburbia to see Gerald McDermott about the part of _Mrs. Brandis_ in "The Futurist."