It was out quite in the frayed edge of outer fringe of real estate
ventures which hedged Chicago round, in a district which was spoiled for
country and not quite made into town, and from the number of weedy plots
not built upon between the scroll-saw cottages, had almost a rural air.
Leaning trolleys went zizzing along the banked highways, and at the ends
of the unpaved avenues there were flat gleams of the lake. Depressed as
I was by the consciousness of having fallen from the estate of actresses
who command engagements to those who seek them, I was still able to be
touched a little by curiosity by what Sarah had told me of McDermott and
his wife, whom he had married for her pretty, feminine inconsequence,
who, having no point of attachment to her husband's life but femininity,
was able to imagine none for any other woman, and suffered incredibly in
consequence.
"If one could only discover why clever men marry that sort of women!" I
wondered.
"Oh, Jerry thought he was going to bend her to his will," Sarah
explained. "But that kind don't bend, they just slump." I had hardly
knocked at the door before I had an inkling of how painful to the author
of "The Futurist" the process of slumping might be.
I could hear the fretting of a child, hushed suddenly by my knock, then
the patter of little feet across the floor and voices startled and
pitched low. I was just debating whether I shouldn't pretend I hadn't
heard anything and go away again, when Mr. McDermott opened the door. I
had met him once at Sarah's and should have known him again by the
pallor of his countenance against the dead blackness of his hair,
straight and shining like an Indian's. The effect of boyishness that one
derived from his tall, thin figure was increased now by the marks of
weeping about his eyes. In the glimpse of the room behind him I was
aware of a disorder only excusable in the face of a family catastrophe;
one of the children that ran to his knee was still in its little
petticoat, without a slip, and had not been washed or combed that day. I
wavered an instant between the obligation of politeness to ignore the
situation and the certainty that I couldn't.
"Oh!" I cried. I snatched at my repertory for the proper mixture of
commiseration and consternation. "Is any one ill?"
His desperate need of help opened the door to me.
"My wife" ... he began, but the state of the room accounted for that, as
he perceived, taking it in afresh through my eyes. Mrs. McDermott was
lying on the sofa in the coma of exhaustion. She lifted her face to me
for a moment, swollen with crying, and then let herself go again into
that pit in which a woman sinks an impossible situation. She was really
faint, poor thing, and, if I judged by the state of the house, had had
no luncheon. I took all that in at a glance, but it was none of my
business.
"Is it her heart?" I wanted to know of her husband as I bent over her.
He caught up the suggestion eagerly.
Public-domain text, read in full here on John Shaqi.
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