"Does she know--Miss Filette, I mean--about the child."
"Not unless Jerry has told her--which he'd hardly do." Sarah laughed a
little, and that was not usual with her; she had very little humour.
"Fancy is so up in the air about the success of the play, she thinks she
inspired it. I imagine they'd feel it an indelicacy of Mrs. McDermott to
have intruded her condition on their relation. Of course it is
understood that there's nothing really wrong about it...."
"It is wrong if his wife is made unhappy by it." I hadn't Sarah's reason
for being lenient. "Somebody ought to speak to Jerry."
"You might--he would listen to you. It is just because there is so
little in it that it is so hard to deal with."
I suppose I took to interfering in the McDermott's affairs because I had
so little of my own to interest me. Besides, I was fond of Jerry and
didn't see how he was to be helped by getting his family into a muddle.
"But after all," Sarah reminded me, "it is his own wife and his own
inspiration." It wasn't in me to tell her, even if I had understood it
myself at the time, that the secret of my resentment was that it should
be so accepted on all sides that one must choose between them. I wanted,
oh, I immensely wanted, what Jerry was getting out of his relation to
Miss Filette, but I wanted it free of the implication that my
abandonment of my husband to the village dressmaker put me in anything
like the same case.
"The real trouble with you," Jerry told me, "is that you are trying to
live in Chicago and Taylorville at the same time."
Not being able to make any headway with him, I went to call on Miss
Filette. I wasn't on terms with her that would admit of an assault on
her confidence, I didn't know her well enough to call on her in any
case, but I wasn't to be thwarted of good intention by anything so small
as a breech of manners in doing it. It wasn't so much the offense of my
undertaking it that counted, I found, as Miss Filette's determination
not to hear anything that would ruffle the surface of her complacency. I
had to drop plumb into my revelation out of the opportunity she made for
me in the question, as to whether the play would or would not go on the
road before Christmas.
"I should hope so," I dropped squarely on her; "Jerry's wife needs him.
There's a child coming in April."
"Yes," said Miss Filette; she was giving me tea and she poised the
second lump over my cup with an inquiring eyebrow. "Have you seen what
we have done with the second act lately?"
"Anyway," I said to myself as I went, "she knows. She can't skid over
the facts as she has my telling her."
But it was the certainty that, knowing, she kept right on with Jerry,
that drove me back on Pauline and Henry Mills. I fled to them to be
saved from what, in the only other society I had access to, fretted all
my finer instincts; to be ricocheted by them again on to that reef of
moral squalour upon which the artist and woman in me were riven asunder.
Public-domain text, read in full here on John Shaqi.
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