What I should have done was to take my courage in my hands and have gone
on from Taylorville to New York. But the most I was equal to was a fixed
determination to accept anything which would take me nearer Broadway,
which, even then, was to the player world all that the lamp is to the
moth. In the meantime I had settled in two housekeeping rooms in a
street that I wouldn't have dared to give to a manager as an address;
one of those neighbourhoods where there are always a great many
perambulators, and waste paper blowing about. There was never anything
for me, in the frame of life called Bohemian, more than a picturesque
way of begging the question of poverty. What I looked for in a lodging,
was escape from the bedraggled professionalism which went on in what
were called studios, by means of a cot bed, an oil stove, and a few
yards of art muslin. That I hadn't managed it so successfully as I
hoped, was made plain to me a few days after I had moved in, by the
discovery of a card tacked on the opposite door, that read, "Leon
Griffin, the Varieté." It was the same theatre at which Cecelia Brune
was playing the chief attraction in song and dance. In the glimpses I
had of Mr. Griffin in the dark hall going in and out, I was aware that
he gave much the same impression of unprofitable use that was associated
in my mind with the Shamrocks.
All this time I kept going through the motions of looking for an
engagement. Now and then some shining bubble of opportunity seemed to
float toward me, to dissolve in thin air as soon as I put my hand out to
it. One of these brought me to Cline and Erskine's waiting room on the
day that Cecelia Brune elected to register her complaint against what
she considered a slight of her turn at the Varieté. She flounced about
more than a little, not to let the rest of us escape the inference that
she was not used to being kept waiting. When she had hooked and unhooked
her handsome furs for the fourth time, she introduced me to Leon
Griffin, who except for the name, I shouldn't have recognized for my
hall neighbour. It was like being slapped in the face with my own hard
condition to have him crowded on me in that character before the whole
roomful. Life seemed so to have beggared him. In broad day he looked the
sort of a man who has failed to sustain himself in the man's world, and
must reinforce his value with the favour of women. Little touches of
effeminacy about his dress failed to take the attention away from its
shabbiness. His hair had the traditional thespian curl in spite of being
cropped short, to allow of various make-ups, one surmised, and his very
blue eyes were in a perpetual state of extenuating the meagreness of his
other features. Being ashamed of my shame at meeting him there, I began
to be very nice to him. Cecelia, in spite of her magnificent raiment,
perhaps on account of it, had been disposed to graciousness. She drew us
together with a wave of her hand.
Public-domain text, read in full here on John Shaqi.
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