I could hear Mrs. Franklin Shane mumbling the phrases of introduction,
rendered unimportant by the radiant recognition that for the moment
enveloped us, that burst around us as a flame in which our hostess
seemed to shrivel and go out in a thin haze of silk and chiffon. I
remember looking around for her presently, and wondering how she had got
away from us. We began again at the point where we had left off.
"So you did go on the stage then, in spite of Taylorville?"
"And you," I pressed my foot into the velvet pile of the carpet to make
sure that I stood. "You are an engineer, I suppose?"
"In spite of my uncle!"
Somewhere in the next room some one began to sing. I did not hear the
song nor see the Titian. I was back in Willesden pasture and the soft
rain of dying leaves was on my face. I was conscious of nothing but his
hand which he had laid upon my arm to steady me against the pressure of
the crowd which swayed and turned upon itself to let Mrs. Shane through,
to drag me to be presented to the singer who was even more of a
notability than I was.
There was an interval then in which I appeared to be going through the
forms of society, and going through them under an intolerable sense of
injustice in the fact that having found Helmeth Garrett at last, now I
had lost him. It was one of those occasions when the inward monitor is
so bent on its own affairs that the habit of living goes on
automatically, or does not go on at all. It went on so with me for half
an hour. By degrees, what seemed an immense unbearable throbbing of the
universe, resolved itself at the renewal of that electrifying touch on
my arm, to the thrum of an orchestra in the refreshment room. I felt
myself carried along by the pressure of the crowd in that direction, but
just at the turn of the stair that went down to it I was drawn
peremptorily aside.
"Come," Mr. Garrett insisted, "come out of this. I want to talk to you."
There was the old imperiousness in his manner, exclusive of all other
considerations. He seemed to know the house. We took a turn through the
hall came out presently at the _porte cochère_ where a line of carriages
waited, supported by a line of skirt-coated figures like little wooden
Noahs before an ark. I let him put me into a closed carriage without a
word of protest. I had not taken leave of my hostess; I had not so much
as thought of her. I suppose he had been arranging this in the interval
in which I had not seen him. The moment the door of the carriage was
shut, we clasped hands and laughed shamelessly.
"You had three little freckles high up on your cheek, what became of
them?" he demanded. All at once his mood changed again. "All the years
I've been without you!... I saw a picture of you in a magazine three
years ago in Alaska. I came near writing."
"You should have. What were you doing there?"
Public-domain text, read in full here on John Shaqi.
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