There should be a great many people still who remember a large, loose
melodrama called "The Union Spy," or "The Confederate Spy," accordingly
as it was performed north or south of Mason and Dixon's line,
participated in by the country at large; a sort of localized Passion
play lifted by its tremendous personal interest free of all theatrical
taint. There was a Captain McWhirter who went about with the scenery and
accessories, casting the parts and conducting rehearsals, sharing the
profits with the local G. A. R. The battle scenes were invariably
executed by the veterans of the order, with horrid realism. Effie wrote
me that there had been three performances in Taylorville and Cousin Judd
had been to every one of them.
With the reputation I had acquired in Higgleston, it came naturally when
the town, by its slighter hold on the event, achieved a single
performance, for me to be cast for the principal part, unhindered by any
convention on behalf of my recent mourning. Rather, so close did the
subject lie to the community feeling, there was an instinctive sense of
dramatic propriety in my sorrow in connection with the anguish of
war-bereaved women. One can imagine such a sentiment operating in the
choice of players at Oberammergau. In addition to my acting, I began
very soon to take a large share of the responsibility of rehearsals.
I do not know where I got the things I put into that business. Where, in
fact, does Gift come from, and what is the nature of it? I found myself
falling back on my studies with Professor Winter, on slight amateurish
incidents of Taylorville, on my brief Chicago contact even, to account
to Higgleston for insights, certainties, that they would not have
accepted without some such obvious backing. Nevertheless the thing was
there, the aptitude to seize and carry to its touching, its fruitful
expression, the awkward eagerness of the community to relive its most
moving actualities. Never in America have we been so near the democratic
drama.
In the final performance I surprised Tommy and myself with my success,
most of all I surprised Captain McWhirter. He was arranging a production
of "The Spy" at the twin towns of Newton and Canfield, about two hours
south of us, and asked me to go down there for him and attend to
alternate rehearsals. Tommy was immensely flattered, pleased to have me
forget my melancholy, and the money was a consideration. I saw the
captain through with two performances in each town, and three at
Waterbury. All this time I had not thought of the stage professionally.
I returned to Tommy and the wall paper after the final performance with
a vague sense of flatness, to try to pull together out of Higgleston's
unwilling materials the stuff of a satisfying existence.
Public-domain text, read in full here on John Shaqi.
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