Suddenly in April came a telegram and a letter from Captain McWhirter at
Kincade, to say that on the eve of production, his leading lady had run
away to be married, and could I, would I, come down and see him through.
The letter contained an enclosure for travelling expenses, and a
substantial offer for my time. No reasonable objection presenting
itself, I went down to him by Monday's train.
CHAPTER IV
On the morning between the second and third performance of "The Spy,"
for McWhirter never let the people off with less than three if he could
help it, as I was sitting in the dining room of the Hotel Metropole at
Kincade, enjoying the sense of leisure a late breakfast afforded, I saw
the captain making his way toward me through an archipelago of whitish
island upon which the remains of innumerable breakfasts appeared to be
cast away without hope of rescue from the languid waiters, steering as
straight a course as was compatible with a conversation kept up over his
shoulder with a man, who for a certain close-cropped, clean-shaven,
ever-ready look, might have been bred for the priesthood and given it up
for the newspaper business. It was a type and manner I was to know very
well as the actor-manager, but as the first I had seen of that species,
I failed to identify it. What I did remark was the odd mixture of
condescension and importance which the captain managed to put into the
fact of being caught in his company. He introduced him to me as Mr.
O'Farrell, Mr. Shamus O'Farrell, as though there could be but one of him
and that one fully accredited and explained. He defined him
further--after some remarks on the performance of the evening before in
a key which seemed to sustain the evidence of Mr. O'Farrell's name in
favour of his nationality--as manager of the Shamrock Players Company,
billed for the first of the week in Kincade.
It turned out in the course of these remarks, which the captain
delivered with a kind of proprietary air in us, that Mr. O'Farrell--he
called himself The O'Farrell in his posters--had a proposition to make
to me. He put it with an admirable mixture of compliment and
depreciation, as though either was a sort of stopcock to meet a too
reluctant modesty on my part or a too exorbitant demand for payment. I
was afterward to know many variations of this singular blend, and to
acquaint myself definitely how far it is safe to trust it in either
direction before the stop was turned, but for the moment I was under the
impression, as no doubt O'Farrell meant I should be, that a thing so
perfectly asked for should not be refused.
Public-domain text, read in full here on John Shaqi.
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