I put my new project on the ground that though we were dissevered by our
situation, there was no occasion for our being out of touch with the
world of emotion, not, at least, so long as we had admission to it
through the drama; and it wasn't in me to imagine that the world I
prefigured to them under those terms was one by their standards never to
be kept sufficiently at a distance.
Mrs. Miller put the case for most of them with the suggestion thrown out
guardedly that she didn't "know as she held with plays for church
members"; she was a large, tasteless woman, whose husband kept the
lumber yard and derived from it an extensive air of being in touch with
the world's occupations. "And I don't know," she went on relentlessly,
"that I ever see any good come of play acting to them that practise it."
Mrs. Ross, determined to live up to her two lumps, came forward
gallantly with:
"Oh, but, Mrs. Miller, when our dear Mrs. Bettersworth----"
"That's what I was thinking of," Mrs. Miller put it over her.
"Well for my part," declared Mrs. Dinkelspiel, with the air of not
caring who knew it, "I don't want my girls to sell tickets or anything;
it makes 'em too forward." Mrs. Harvey, whose husband was in hardware,
began to tell discursively about a perfectly lovely entertainment they
had had in Newton Centre for the missionary society, which Mrs. Miller
took exception to on the ground of its frivolity.
"I don't know," she maintained, "if the Lord's work ain't hindered by
them sort of comicalities as much as it's helped."
I am not sure where this discussion mightn't have landed us if the
general attention had not been distracted just then by my husband, an
hour before his time, coming through the front gate and up the walk. He
had evidently forgotten my tea party, for he came straight to me, and
backed away precipitately through the portières as soon as he saw the
assembled ladies sitting about the wall. It was not that which disturbed
us; any Higgleston male would have done the same, but it was plain in
the brief glimpse we had of him that he looked white and stricken. A
little later we heard him in the back of the house making ambiguous
noises such as not one of my guests could fail to understand as the
precursor of a domestic crisis. I could see the little flutter of
uneasiness which passed over them, between their sense of its demanding
my immediate attention and the fear of leaving before the expressed
time. Fortunately the stroke of five released them. The door was hardly
shut on the last silk skirt when I ran out and found him staring out of
the kitchen window.
"Well?" I questioned.
"I thought they would never go," he protested. "Come in here." He led
the way to the living room as if somehow he found it more appropriate to
the gravity of what he had to impart, and yet failed to make a beginning
with his news. He shut the door and leaned against it with his hands
behind him for support.
"Has anything happened?"
Public-domain text, read in full here on John Shaqi.
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