Detective and mystery stories; England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century
To his emphatic reiteration of his previous remarks, Richard made no
reply. While always perfectly civil to this elegant-mannered young man
for whom he felt a vague dislike, he never encouraged intimacy. He was
just a little resentful that he had been addressed as “Dick.” Nothing
in the world would have induced him to accost the other as “Archie,”
although they met nearly every day, and the one was the favourite
nephew of the mistress of the house, and the other was as good as the
adopted son of the master.
There was a certain element of romance about the introduction of
Richard Croxton into the Morrice _ménage_. The great financier, hard
as iron in his business dealings, was in private life a man of the
greatest sentiment and sensibility. Some years before he met the lady
who was now his wife, he had been desperately in love with a charming
girl, who had been one of the fashionable beauties of the day.
The fate of this lovely girl had been a sad and tragic one. With the
world at her feet, she had bestowed her affections upon a man utterly
unworthy—a rake, a gambler—and a spendthrift, and alienated her friends
and her family by marrying him. On her death-bed she had sent for her
old lover and confided her only child to his care. Rupert Morrice had
accepted the trust, his heart warming to the son, as he grew to know
him, not only for his own qualities, but for the sake of the mother
whom he had so fondly loved with the passionate ardour of a strong,
intense nature.
He had taken the young fellow into his own house and made him his
confidential secretary. Some women might have resented such a sudden
intrusion, but Mrs. Morrice was not of a petty or jealous nature. She
grew in time to be very fond of Richard Croxton, and did not in the
least begrudge him his place in her husband’s affections.
There sauntered up to the two young fellows a very
distinguished-looking man of about fifty years of age. Aristocrat
was written all over him—in his tall, elegant figure, his aquiline
features, his long, shapely, well-manicured hands, his cultivated and
well-bred voice. This was Sir George Clayton-Brookes, the paternal
uncle of Archie, a well-known personage in London society, a member of
some of the most exclusive clubs, and, report said, the possessor of
considerable wealth. He had added the name of Clayton on inheriting a
fortune from a distant relative.
He greeted Croxton with an air of great cordiality. His manners were
very polished, some people thought they were just a trifle too suave
for perfect sincerity.
“Well, my dear Richard, how goes the world with you?” Using the
privilege of seniority, he always addressed the young man by his
Christian name. For his part, Croxton did not always feel anything like
the same antagonism towards the uncle that he felt for the nephew, but
he did not really like him. There was something too oily about the man
for his taste.
Public-domain text, read in full here on John Shaqi.
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