Detective and mystery stories; England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century
The daughter he had already described as a bonnie, handsome girl. When
she arrived at Vine Cottage, a very modest residence the rental of
which was only a few pounds a year, she was about eighteen, a tall,
slender girl with a wealth of beautiful brown hair, soft grey eyes and
a charming figure.
The father was a fine, good-looking man with the long hair and
the rather dreamy expression of the artist, and his profession
was emphasized by the regulation velvet coat. There was a look of
dissipation about the pleasant features which told of late hours and
heavy drinking both at home and abroad.
He arrived at Vine Cottage about midday, and The Brinkstone Arms made
his acquaintance a few hours later. He seemed a very genial, affable
sort of person, hail-fellow-well-met at once with the proprietor and
his factotum, Dobbs, and ready to be friendly with everybody, no
matter what his station—the farmer himself, the farmer’s labourer,
the carrier, the postman, the village blacksmith. Very soon it was
discovered that when he took a drop too much, a not infrequent
occurrence, his geniality disappeared and he developed an ugly and
aggressive temper, and was inclined sometimes to resort to personal
violence against those who happened to offend him at the particular
moment.
In his normal mood there was no pride about the man. Five minutes
after he had ordered his first drink in the place he had told them
all about himself. By profession he was an artist, a painter of
landscapes. He hardly ever exhibited at the public galleries, working
almost exclusively for dealers, who gave him what he described—in his
loud, breezy voice, more like that of a robust mariner than a man
practising a refined art—as a “cut-throat price.” But they always
paid on delivery, sometimes a bit on account, and that was a great
consideration to a poor devil who was always hard-up. These statements
he made without any false shame or shrinking modesty.
An artist, but evidently not a very successful one! The reasons for
this were not far to seek. Drink had been the ruin of the man’s life;
if he had possessed twice the talent he had, the fatal impulse to
alcohol would have set his feet travelling swiftly on the downward
path. He drank steadily at all times, but several times a year his
propensities assumed alarming proportions. When one of these fits took
him, his brushes were laid aside, he shut himself up in the house and
devoted himself to his favourite vice till it passed. Then he would
pull himself together and work with feverish energy to make up for the
time he had lost.
On that first evening of his acquaintance with the little village
hostelry, he explained to those who cared to listen to his intimate
revelations, that he came to this part of the world because of the
suitability of the scenery to his particular kind of work, but more
especially because he wanted to escape from late hours and the
numberless temptations of great cities.
Public-domain text, read in full here on John Shaqi.
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