A Woman's Experiences in the Great WarMack, Louise
History
A Woman's Experiences in the Great War
Mack, Louise
World War, 1914-1918 -- Personal narratives
And her husband, a huge, fair-haired Belgian giant with exquisite
manners and a little-boy lisp--a daring aviator--never seen except in a
remarkable pair of bright yellow bags of trousers. His lisp was
unaffected, and his blue eyes bright and blue as spring flowers, and his
heart was iron-strong.
And there was Madame la Patronne, wrapped in a good many things; and an
Englishman with a brown moustache, who must have had an automatic
toilette, as he is here fully dressed, even to his scarf-pin, hat, boots
and all; and some War-Correspondents, who always, have the incontestable
air of having arranged the War from beginning to end, especially when
they appear like this in their pyjamas; and a crowd of Belgian ladies
and children, and all the maids and garçons, and the porters and the
night-porters, and various strange old gentlemen in overcoats and bare
legs, and strange old ladies with their heads tied, who will never be
seen again (not to be recognised), and the cook from the lowest regions,
and the chasseur who runs messages--there we all were, waiting while the
Zeppelin sailed overhead, and the terrific crash and boom and crack and
deafening detonations grew fainter and fainter as the Belgian soldiers
fled along through the night in pursuit of the German dastard that was
finally driven back to Cologne, having dashed many houses to bits.
Then the little "chass," who has run through the street-door away down
the road, comes racing back breathless across the flagged stone
courtyard.
"Oh, mais c'est chic, le Zepp," he cries enthusiastically, his young
black eyes afire. "C'est tout à fait chic, vous savez!"
And if that's not truly Belge, I really don't know what is!
[Illustration: AN ORDER FROM THE BELGIAN WAR OFFICE.]
CHAPTER IV
IN THE TRACK OF THE HUNS
When I look back on those days, the most pathetic thing about it all
seems to me the absolute security in which we imagined ourselves
dwelling.
The King and Queen were in their Palace, that tall simple flat-fronted
grey house in the middle of the town. Often one saw the King, seated in
an open motor car coming in and out of the town, or striding quickly
into the Palace. Tall and fair, his appearance always seemed to me to
undergo an extraordinary change from the face as shewn in photographs.
It was because in real life those beautiful wide blue eyes of his,
mirrors of truth and simple courage, were covered with glasses.
And "la petite Reine," equally beloved, was very often to be seen too,
driving backwards and forwards to the hospitals, the only visits she
ever paid.
All theatres were closed, all concerts, all cinemas. All the galleries
were shut. Never a note of song or music was to be heard anywhere. To
open a piano at one's hotel would have been a crime.
Public-domain text, read in full here on John Shaqi.
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