A Wonder Book for Girls & BoysHawthorne, Nathaniel
General
A Wonder Book for Girls & Boys
Hawthorne, Nathaniel
Mythology, Greek; Mythology, Greek -- Juvenile literature
After Epimetheus was gone, Pandora stood gazing at the box. She had
called it ugly, above a hundred times; but, in spite of all that she
had said against it, it was positively a very handsome article of
furniture, and would have been quite an ornament to any room in which
it should be placed. It was made of a beautiful kind of wood, with
dark and rich veins spreading over its surface, which was so highly
polished that little Pandora could see her face in it. As the child
had no other looking-glass, it is odd that she did not value the box,
merely on this account.
The edges and corners of the box were carved with most wonderful
skill. Around the margin there were figures of graceful men and women,
and the prettiest children ever seen, reclining or sporting amid a
profusion of flowers and foliage; and these various objects were so
exquisitely represented, and were wrought together in such harmony,
that flowers, foliage, and human beings seemed to combine into a
wreath of mingled beauty. But here and there, peeping forth from
behind the carved foliage, Pandora once or twice fancied that she saw
a face not so lovely, or something or other that was disagreeable, and
which stole the beauty out of all the rest. Nevertheless, on looking
more closely, and touching the spot with her finger, she could
discover nothing of the kind. Some face, that was really beautiful,
had been made to look ugly by her catching a sideway glimpse at it.
The most beautiful face of all was done in what is called high relief,
in the centre of the lid. There was nothing else, save the dark,
smooth richness of the polished wood, and this one face in the centre,
with a garland of flowers about its brow. Pandora had looked at this
face a great many times, and imagined that the mouth could smile if it
liked, or be grave when it chose, the same as any living mouth. The
features, indeed, all wore a very lively and rather mischievous
expression, which looked almost as if it needs must burst out of the
carved lips, and utter itself in words.
Had the mouth spoken, it would probably have been something like
this:--
"Do not be afraid, Pandora! What harm can there be in opening the box?
Never mind that poor, simple Epimetheus! You are wiser than he, and
have ten times as much spirit. Open the box, and see if you do not
find something very pretty!"
The box, I had almost forgotten to say, was fastened; not by a lock,
nor by any other such contrivance, but by a very intricate knot of
gold cord. There appeared to be no end to this knot, and no beginning.
Never was a knot so cunningly twisted, nor with so many ins and outs,
which roguishly defied the skillfullest fingers to disentangle them.
And yet, by the very difficulty that there was in it, Pandora was the
more tempted to examine the knot, and just see how it was made. Two or
three times, already, she had stooped over the box, and taken the knot
between her thumb and forefinger, but without positively trying to
undo it.
Public-domain text, read in full here on John Shaqi.
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