German fiction -- Translations into English; Netherlands -- History -- Eighty Years' War, 1568-1648 -- Fiction
"Carmen!" exclaimed Ulrich, as soon as he saw the pretty little woman,
then added confidently. "This young lady knows me."
"I?" asked the young wife, turning up her pretty little nose, and looking
at the tall youth's shabby costume. "Who are you?"
"Master Moor's pupil, Ulrich Navarrete; don't you remember me?"
"I? You must be mistaken!"
With these words she shut her fan so abruptly, that it snapped loudly,
and tripped on.
Ulrich shrugged his shoulders, then turned to the porter more
courteously, and this time succeeded in his purpose; for the artist
Coello's body-servant came out of the treasury, and willingly announced
him to his master, who now, as court-artist, occupied Moor's quarters.
Ulrich followed the friendly Pablo into the palace, where every step he
mounted reminded him of his old master and former days.
When he at last stood in the anteroom, and the odor of the fresh oil-
colors, which were being ground in an adjoining room, reached his
nostrils, he inhaled it no less eagerly than, an hour before, he had
breathed the fresh air, of which he had been so long deprived.
What reception could he expect? The court-artist might easily shrink
from coming in contact with the pupil of Moor, who had now lost the
sovereign's favor. Coello was a very different man from the Master, a
child of the moment, varying every day. Sometimes haughty and repellent,
on other occasions a gay, merry companion, who had jested with his own
children and Ulrich also, as if all were on the same footing. If today
....But Ulrich did not have much time for such reflections; a few minutes
after Pablo left, the door was torn open, and the whole Coello family
rushed joyously to meet him; Isabella first. Sanchez followed close
behind her, then came the artist, next his stout, clumsy wife, whom
Ulrich had rarely seen, because she usually spent the whole day lying
on a couch with her lap-dog. Last of all appeared the duenna Catalina,
a would-be sweet smile hovering around her lips.
The reception given him by the others was all the more joyous and
cordial.
Isabella laid her hands on his arm, as if she wanted to feel that it was
really he; and yet, when she looked at him more closely, she shook her
head as if there was something strange in his appearance. Sanchez
embraced him, whirling him round and round, Coello shook hands, murmuring
many kind words, and the mother turned to the duenna, exclaiming:
"Holy Virgin! what has happened to the pretty boy? How famished he
looks! Go to the kitchen instantly, Catalina, and tell Diego to bring
him food--food and drink."
At last they all pulled and pushed him into the sitting-room, where the
mother immediately threw herself on the couch again; then the others
questioned him, making him tell them how he had fared, whence he came,
and many other particulars.
He was no longer hungry, but Senora Petra insisted upon his seating
himself near her couch and eating a capon, while he told his story.
Public-domain text, read in full here on John Shaqi.
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