German fiction -- Translations into English; Netherlands -- History -- Eighty Years' War, 1568-1648 -- Fiction
The old Cavaliere praised the lucky accident, and was ready to show
himself obliging, when Moor offered to let him and his daughters occupy
a house he had purchased, that it might be kept in a habitable condition,
and when the artist had induced the king to grant Sophonisba a larger
annual salary, the father instantly bought a second horse.
The young girl, in return for so many benefits, was gratefully devoted to
the artist, but she would have loved him even without them. His society
was her greatest pleasure. To be allowed to stay and paint with him,
become absorbed in conversation about art, its problems, means and
purposes, afforded her the highest, purest happiness.
When she had discharged the duties imposed upon her by her attendance
upon the queen, her heart drew her to the man she loved and honored.
When she left him, it always seemed as if she had been in church, as if
her soul had been steeped in purity and was effulgent. Moor had hoped to
find her sisters with her in Madrid, but the old Cavaliere had taken them
away with him to Italy. His "trust in God" was rewarded, for he had
inherited a large fortune. What should he do longer in Madrid! To
entertain the stiff, grave Spaniards and move them to laughter, was a far
less pleasing occupation than to make merry with gay companions and be
entertained himself at home.
Sophonisba was provided for, and the beautiful, gay, famous maid of honor
would have no lack of suitors. Against his daughter's wish, he had given
to the richest and most aristocratic among them, the Sicilian baron
Don Fabrizio di Moncada, the hope of gaining her hand. "Conquer the
fortress! When it yields--you can hold it," were his last words; but
the citadel remained impregnable, though the besieger could bring into
the field as allies a knightly, aristocratic bearing, an unsullied
character, a handsome, manly figure, winning manners, and great wealth.
Ulrich felt a little disappointed not to find the five young girls, of
whom he had dreamed, in Madrid; it would have been pleasant to have some
pretty companions in the work now to begin.
Adjoining the studio was a smaller apartment, separated from the former
room by a corridor, that could be closed, and by a heavy curtain. Here a
table, at which the five girls might easily have found room, was placed
in a favorable light for Ulrich. He was to draw from plastic models, and
there was no lack of these in the Alcazar, for here rose a high, three-
story wing, to which when wearied by the intrigues of statecraft and the
restraints of court etiquette, King Philip gladly retired, yielding
himself to the only genial impulse of his gloomy soul, and enjoyed the
noble forms of art.
In the round hall on the lower floor countless plans, sketches, drawings
and works of art were kept in walnut chests of excellent workmanship.
Above this beautifully ornamented apartment--was the library, and in the
third story the large hall containing the masterpieces of Titian.
Public-domain text, read in full here on John Shaqi.
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