She was now sixteen. Her figure had developed early, but remained petite. Large, deep, earnest eyes looked forth from the little round face, and the fresh, tiny mouth could not help pleasing everyone. Her head now reached only to Ulrich's breast, and if he had always treated her like a dear, sensible, clever child, her small stature had certainly been somewhat to blame for it. To-day she was paler than usual and her features were so grave, that the young man asked her in surprise, yet full of sympathy: "What is the matter, little one? Are you not well?" "Yes, yes," she answered, quickly, "only I must talk with you once more alone." "Do you wish to hear my confession, Belita?" "Cease jesting now. I am no longer a child. My heart aches, and I must not conceal the cause." "Speak, speak! How you look! One might really be alarmed." "If I only can! No one here tells you the truth; but I--I love you; so I will do it, ere it is too late. Don't interrupt me now, or I shall lose courage, and I will, I must speak." "My studies lately have not pleased you; nor me either. Your father...." "He has led you in false paths, and now you are going to Italy, and when you see what the greatest artists have created, you will wish to imitate them immediately and forget Meister Moor's lessons. I know you, Ulrich, I know it! But I also know something else, and it must now be said frankly. If you allow yourself to be led on to paint pictures, if you do not submit to again become a modest pupil, and honestly torment yourself with studying, you will make no progress, you will never again accomplish a portrait like the one in the old days, like your Sophonisba. You will then be no great artist and you can, you must become one." "I will, Belita, I will!" "Well, well; but first be a pupil! If I were in your place, I would, for aught I care, go to Venice and look about me, but from there I would ride to Flanders, to Moor, to the master." "Give up Italy? Can you be in earnest? Your father, himself, told me, that I.....well, yes....in portrait-painting, he too thinks I am no blunderer. Where do the Netherlanders go to learn anything new? To Italy, always to Italy! What do they create in Flanders? Portraits, portraits, nothing more. Moor is great, very great in this department, but I take a very different view of art; it has higher aims. My head is full of plans. Wait, only wait! In Italy I shall learn to fly, and when I have finished my Holy Family and my Temple of Art, with all the skill I intend to attain...." "Then, then, what will happen then?" "Then you will perhaps change your opinion and cease your tutoring, once for all. This fault-finding, this warning vexes me. It spoils my pleasure, it clouds my fancy. You are poisoning my happiness, you-- you....the croaker's voice is disagreeable to me." Isabella sadly bent her head in silence. Ulrich approached her, saying: