A "Y" Girl in France: Letters of Katherine ShortallShortall, Katherine
History
A "Y" Girl in France: Letters of Katherine Shortall
Shortall, Katherine
World War, 1914-1918 -- Personal narratives
I thought it was about time to do something for the officers, as they
need fun just as much as the enlisted men, so I proposed a dance.
"Where will you get the girls?" they said. "The Red Cross nurses in
Sémur," said I. "There is no hall here large enough for a dance," said
they. "Yes there is!" said I. Mme. Gloriod had told me of a wooden
floor made to fit over the tank in the village "lavoir," which the
mayor of Pouillenay had had made in the happy days before the war.
The lavoir is a good-sized stone structure with a large tank of soapy
water in the middle, round which the women scrub and pound their
clothes, gossiping, laughing and scolding all the day long in their
raucous French. It is not easy to imagine an up-to-date American dance
in this mediaeval, sloppy spot. The Major and a few other optimists
backed me up and told me to go ahead. After more or less trouble I got
the Red Cross nurses and four or five "Y" girls from various towns
committed to last Thursday evening. One lieutenant engaged the Sémur
orchestra, which is several months older and more professional than
ours. Then I made a memorable call on the Mayor of Pouillenay, M.
Champenois, a delightful, impressive old Frenchman. I found him in the
parlor of his little stone house seated at a huge desk; his sweet
little wife, with black lace in her hair, tending the fire. They made
me come in and sit down, and an hour went by in the discussion of art,
literature, and the affairs of the world, before they would let me
approach the business of the day. When finally I did make my errand
known, he granted me the lavoir free of charge, undertaking to have
the floor put down himself. We parted the best of friends.
Then followed two days of real work; scrubbing, heating, and
decorating and lighting the lavoir. To make a long story short, it
was charming when we got through. Evergreens, flags, candles and four
electric lights softened and illuminated the dank old place, while two
stoves made it reasonably dry and warm. The floor was sprinkled with
cornmeal. And the dance was a real success; lots of fun, and also with
something distinguished and graceful about it. It was what you might
call "a real lace party," though the only lace on the scene were the
festoons of ancient cobwebs that swayed from the big oaken rafters
high above the reach of the longest broom. As the atmosphere of a
battalion radiates from its commanding officer, I give Major S. the
credit for that unmistakable "touch" that marked our dance.
Public-domain text, read in full here on John Shaqi.
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