If we represent the winter of our northern climate by a rugged
snow-clad mountain, and summer by a broad fertile plain, then the
intermediate belt, the hilly and breezy uplands, will stand for
spring, with March reaching well up into the region of the snows, and
April lapping well down upon the greening fields and unloosened
currents, not beyond the limits of winter's sallying storms, but well
within the vernal zone,--within the reach of the warm breath and
subtle, quickening influences of the plain below. At its best, April
is the tenderest of tender salads made crisp by ice or snow water. Its
type is the first spear of grass. The senses--sight, hearing,
smell--are as hungry for its delicate and almost spiritual tokens as
the cattle are for the first bite of its fields. How it touches one
and makes him both glad and sad! The voices of the arriving birds, the
migrating fowls, the clouds of pigeons sweeping across the sky or
filling the woods, the elfin horn of the first honey-bee venturing
abroad in the middle of the day, the clear piping of the little frogs
in the marshes at sundown, the camp-fire in the sugar-bush, the smoke
seen afar rising over the trees, the tinge of green that comes so
suddenly on the sunny knolls and slopes, the full translucent streams,
the waxing and warming sun,--how these things and others like them are
noted by the eager eye and ear! April is my natal month, and I am born
again into new delight and new surprises at each return of it. Its
name has an indescribable charm to me. Its two syllables are like the
calls of the first birds,--like that of the phoebe-bird, or of the
meadow-lark. Its very snows are fertilizing, and are called the poor
man's manure.
Then its odors! I am thrilled by its fresh and indescribable
odors,--the perfume of the bursting sod, of the quickened roots and
rootlets, of the mould under the leaves, of the fresh furrows. No
other month has odors like it. The west wind the other day came
fraught with a perfume that was to the sense of smell what a wild and
delicate strain of music is to the ear. It was almost transcendental.
I walked across the hill with my nose in the air taking it in. It
lasted for two days. I imagined it came from the willows of a distant
swamp, whose catkins were affording the bees their first pollen; or
did it come from much farther,--from beyond the horizon, the
accumulated breath of innumerable farms and budding forests? The main
characteristic of these April odors is their uncloying freshness. They
are not sweet, they are oftener bitter, they are penetrating and
lyrical. I know well the odors of May and June, of the world of
meadows and orchards bursting into bloom, but they are not so
ineffable and immaterial and so stimulating to the sense as the
incense of April.
Public-domain text, read in full here on John Shaqi.
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