Judy's lips kissed the hem of the dress two or three times; then she lay
quiet, a sweet expression round her lips, a tranquil, satisfied light in
her eyes. Here she was at rest, her eager, craving heart was full and
satisfied.
"You dear little monkey!" said Hilda, pausing for a moment in her really
magnificent rendering of one of Bach's most passionate fugues. She
touched the child's head lightly with her hand as she spoke.
"Oh, don't stop, Hilda; go on. I am so happy," whispered Judy back.
Hilda smiled, and immediately resumed the music which thrilled through
and through Judy's soul.
Hilda was eighteen, and the full glory and bloom of this perfect age
surrounded her; it shone in her dark red-brown hair, and gleamed in her
brown eyes, and smiled on her lips and even echoed from her sweet voice.
Hilda would always be lovely to look at, but she had the tender radiance
of early spring about her now. Judy was not the only person who thought
her the fairest creature in the world.
While she was playing, and the influence of the music was more and more
filling her face, there came a shadow across the church door. The shadow
lengthened and grew longer, and the young man, whose smile Judy had
ignored, came softly across the church and up to Hilda's side.
"Go on playing," he said, nodding to her. "I have been waiting and
listening. I can wait and listen a little longer if you will allow me to
sit in the church."
"I shall have done in a moment," said Hilda. "I just want to choose
something for the final voluntary." She took up a book of lighter music
as she spoke, and selecting some of Haydn's sweet and gracious melodies,
began to play.
Judy stirred restlessly. Jasper Quentyns came closer, so close that his
shadow fell partly over the child as she lay on the ground, and quite
shut away the evening sunlight as it streamed over Hilda's figure.
Jasper was a musician himself, and he made comments which were listened
to attentively.
Hilda played the notes as he directed her. She brought added volume into
certain passages, she rendered the light staccato notes with precision.
"Oh, you are spoiling the playing," said Judy suddenly. She started up,
knitting her black brows and glaring angrily at Jasper Quentyns.
"You don't mean to say you are here all the time, you little puss," he
exclaimed. "I thought you and Miss Mills and Babs were miles away by
now. Why, what's the matter, child? Why do you frown at me as if I were
an ogre?"
Hilda put her arm round Judy's waist. The contact of Hilda's arm was
like balm to the child; she smiled and held out her hand penitently.
"Of course I don't think you are an ogre," she said, "but I do wish you
would let Hilda play her music her own way."
"Oh, don't talk nonsense, Judy," said Hilda; "you quite forget that Mr.
Quentyns knows a great deal more about music than I do."
"He doesn't play half nor quarter as well as you, for all that," replied
Judy, with emphasis.
Public-domain text, read in full here on John Shaqi.
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