English fiction -- 19th century; Short stories, English
The cattle--the acres of huddled cattle--were restless. In the first
place, they were forced to scatter for graze; and in the second, the
heat told on their tempers and made them prod each other with their
long horns. In the heart of the herd you would have thought men were
fighting with single-sticks. On the outskirts, posted at quarter-mile
intervals, sat the cowboys on their ponies, the brims of their hats
tilted over their sun-skinned noses, their feet out of the big
brown-leather hooded stirrups, and their hands gripping the horn of the
heavy saddle to keep themselves from falling on to the ground--asleep.
A cowboy can sleep at full gallop; on the other hand, he can keep
awake also at full gallop for eight and forty hours and wear down six
unamiable bronchos in the process.
Lafe Parmalee; Shwink, the German who could not ride but had a blind
affection for cattle from the branding-yard to the butcher's block;
Michigan, so called because he said he came from California but spoke
not the Californian tongue; Jim from San Diego, to distinguish him
from other Jims, and The Corpse, were the outposts of the herd. The
Corpse had won his name from a statement, made in the fulness of much
McBrayer whisky, that he had once been a graduate of Corpus Christi. He
spoke truth, but to the wrong audience. The inhabitants of the Elite
Saloon, after several attempts to get the hang of the name, dubbed the
speaker The Corpse, and as long as he cinched a broncho or jingled a
spur within four hundred miles of Livingston--yea, far in the south,
even to the unexplored borders of the sheep-eater Indians--he was known
by that unlovely name. How he had passed from college to cattle no man
knew, and, according to the etiquette of the West, no man asked. He was
not by any means a tenderfoot--had no unmanly weakness for washing,
did not in the least object to appearing at the wild and wonderful
reunions held nightly in "Miss Minnie's parlour," whose flaring
advertisement did not in the least disturb the proprieties of Wachoma
Junction, and, in common with his associates, was, when drunk, ready
to shoot at anything or anybody. He was not proud. He had condescended
to take in hand and educate a young and promising Chicago drummer, who
by evil fate had wandered into that wilderness, where all his cunning
was of no account; and from that youth's quivering hand--outstretched
by command--had shot away the top of a wine-glass. The Corpse was
recognised in the freemasonry of the craft as "one of the C.M.R.'s
boys, and tough at that."
Public-domain text, read in full here on John Shaqi.
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