French fiction -- Translations into English; Short stories
A very pretty young actress came to Brest named Gabrielle, and she
quickly made conquest among the naval and army officers. She was not a
perfect beauty, but she had a good figure, fine eyes, a small foot and a
pleasant, saucy manner; these chings are all very delightful when one is
voyaging between the latitudes of twenty and twenty-five years of age.
She was, in addition, the most capricious of her sex, and her style of
playing did not belie this reputation. Sometimes she played
enchantingly, and one would have called her a _comédienne_ of the
highest order; on the following day she would be cold and lifeless in
the very same piece: she would deliver her part as a child recites its
catechism. But more than all else it was the story told of her which I
am about to relate that interested our young men. It seems she had been
kept in sumptuous style by a Parisian senator, who, it was said,
committed all sorts of follies for her sake. One day this man put his
hat on in her house; she begged him to take it off, and even complained
that he showed a want of respect towards her. The senator burst out
laughing, shrugged his shoulders and said, as he elaborately settled
himself in his chair, "The least I can do is to make myself at home in
the house of a girl whom I keep." Gabrielle's white hand smacked his
face as soundly as though she had a navvy's hand, and she also paid him
back for his words by throwing his hat to the other end of the room.
From that moment there was a complete rupture between them. Bankers and
generals made considerable offers to the lady, but she refused them all
and became an actress, so that she could, as she expressed it, live
independently.
When Roger saw her and learnt her history, he decided that she was--must
be his, and with the somewhat uncouth freedom with which we sailors are
credited, he took the following methods to show her how much he was
affected by her charms. He bought the rarest and loveliest flowers to be
found in Brest, had them made into a bouquet which he tied with a
beautiful rose-coloured ribbon, and in the knot he carefully placed a
roll of twenty-five napoleons, all he possessed for the time being. I
remember accompanying him behind the scenes during an interval between
the acts. He paid Gabrielle a brief compliment upon the grace with which
she wore her costume, offered her the bouquet and asked leave to call
upon her. He managed to get through all this in about three words.
Public-domain text, read in full here on John Shaqi.
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