Catholics -- Fiction; Clergy -- Fiction; France -- Fiction; Sin -- Christianity -- Fiction
Of all the life that thus teemed round them in the park, Albine and
Serge had only become really conscious since the day when a kiss had
awakened them to life themselves. Now it deafened them at times, and
spoke to them in a language which they did not understand. It was that
life--all the voices of the animal creation, all the perfumes and soft
shadows of the flowers and trees--which perturbed them to such a point
as to make them angry with one another. And yet throughout the whole
park they found nothing but loving familiarity. Every plant and every
creature was their friend. All the Paradou was one great caress.
Before they had come thither, the sun had for a whole century reigned
over it in lonely majesty. The garden, then, had known no other master;
it had beheld him, every morning, scaling the boundary wall with his
slanting rays, at noontide it had seen him pour his vertical heat upon
the panting soil; and at evening it had seen him go off, on the other
side, with a kiss of farewell upon its foliage. And so the garden had
no shyness; it welcomed Albine and Serge, as it had so long welcomed
the sun, as pleasant companions, with whom one puts on no ceremony.
The animals, the trees, the streams, the rocks, all continued in an
unrestrained state of nature, speaking aloud, living openly, without a
secret, displaying the innocent shamelessness, the hearty tenderness of
the world’s first days. Serge and Albine, however, suffered from these
voluptuous surroundings, and at times felt minded to curse the garden.
On the afternoon when Albine had wept so bitterly after their saunter
amongst the rocks, she had called out to the Paradou, whose intensity of
life and passion filled her with distress:
‘If you really be our friend, why, why do you make us so wretched?’
XIV
The next morning Serge barricaded himself in his room. The perfume from
the garden irritated him. He drew the calico curtains closely across the
window to shut out the sight of the park. Perhaps he thought he might
recover all his old serenity and calm if he shut himself off from that
greenery, whose shade sent such passionate thrills quivering through
him.
During the long hours they spent together, Albine and he never now spoke
of the rocks or the streams, the trees or the sky. The Paradou might no
longer have been in existence. They strove to forget it. And yet they
were all the time conscious of its presence on the other side of
those slight curtains. Scented breezes forced their way in through the
interstices of the window frame, the many voices of nature made
the panes resound. All the life of the park laughed, chattered, and
whispered in ambush beneath their window. As it reached them their
cheeks would pale and they would raise their voices, seeking some
occupation which might prevent them from hearing it.
‘Have you noticed,’ said Serge one morning during these uneasy
intervals, ‘there is a painting of a woman over the door there? She is
like you.’
Public-domain text, read in full here on John Shaqi.
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