He laughed noisily as he finished speaking. They both turned to the paintings and dragged the table once more alongside the wall, with a nervous desire to occupy themselves. ‘Oh! no,’ murmured Albine. ‘She is much fatter than I am. But one can’t see her very well; her position is so queer.’ They relapsed into silence. From the decayed, faded painting a scene, which they had never before noticed, now showed forth. It was as if the picture had taken shape and substance again beneath the influence of the summer heat. You could sea a nymph with arms thrown back and pliant figure on a bed of flowers which had been strewn for her by young cupids, who, sickle in hand, ever added fresh blossoms to her rosy couch. And nearer, you could also see a cloven-hoofed faun who had surprised her thus. But Albine repeated, ‘No, she is not like me, she is very plain.’ Serge said nothing. He looked at the girl and then at Albine, as though he were comparing them one with the other. Albine pulled up one of her sleeves, as if to show that her arm was whiter than that of the pictured girl. Then they subsided into silence again, and gazed at the painting; and for a moment Albine’s large blue eyes turned to Serge’s grey ones, which were glowing. ‘You have got all the room painted again, then?’ she cried, as she sprang from the table. ‘These people look as though they were all coming to life again.’ They began to laugh, but there was a nervous ring about their merriment as they glanced at the nude and frisking cupids which started to life again on all the panels. They no longer took those survivals of voluptuous eighteenth century art to represent mere children at play. They were disturbed by the sight of them, and as Albine felt Serge’s hot breath on her neck she started and left his side to seat herself on the sofa. ‘They frighten me,’ she murmured. ‘The men are like robbers, and the women, with their dying eyes, look like people who are being murdered.’ Serge sat down in a chair, a little distance away, and began to talk of other matters. But they remained uneasy. They seemed to think that all those painted figures were gazing at them. It was as if the trooping cupids were springing out of the panelling, casting the flowers they held around them, and threatening to bind them together with the blue ribbons which already enchained two lovers in one corner of the ceiling. And the whole story of the nymph and her faun lover, from his first peep at her to his triumph among the flowers, seemed to burst into warm life. Were all those lovers, all those impudent shameless cupids about to step down from their panels and crowd around them? They already seemed to hear their panting sighs, and to feel their breath filling the spacious room with the perfume of voluptuousness. ‘It’s quite suffocating, isn’t it?’ sighed Albine. ‘In spite of every airing I have given it, the room has always seemed close to me!