Abbeychurch; Or, Self-Control and Self-ConceitYonge, Charlotte M. (Charlotte Mary)
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Abbeychurch; Or, Self-Control and Self-Conceit
Yonge, Charlotte M. (Charlotte Mary)
English fiction -- 19th century; Religious fiction
cousins, or even of meeting her brother, whom she expected to find at
the Vicarage, on his return from Scotland, where he had been spending
the last six weeks.
In this anticipation, however, she was disappointed; he was not among
the group who stood in the hall, eager to greet the travellers, and no
tidings had been heard of him. After talking over the chances of his
arriving in the course of the evening, Sir Edward went with Mr.
Woodbourne to see the new church, and the ladies were conducted to
their apartments; Mrs. Woodbourne making apologies to Anne for lodging
her with Elizabeth, and Anne laughingly declaring that she enjoyed
Elizabeth's company much more than solitary grandeur. The two cousins
were followed by the whole tribe of children, flaxen-haired and
blue-eyed little sprites, the younger of whom capered round Anne in
high glee, though with a little shyness, sometimes looking upon her as
a stranger, sometimes recollecting former frolics, till Elizabeth
declared that it was time to dress; and Dorothea, the eldest, a quiet
and considerate little maiden of seven years old, carried off Winifred
and Edward to their own domains in the nursery.
Elizabeth's room had been set to rights for the accommodation of the
visitor, so that it suited most people's ideas of comfort better just
then, than in its usual state. A number of books and papers had been
cleared from the table, to leave it free for Anne's toilette apparatus,
and a heap of school girls' frocks and tippets, which had originally
been piled up on two chairs, but, daily increasing in number, had grown
top-heavy, fallen down and encumbered the floor, had that morning been
given away, so that there was at least room to sit down. Elizabeth's
desk and painting box were banished to the top of her chest-of-drawers,
where her looking-glass stood in a dark corner, being by no means
interesting to her. Near the window was her book-case, tolerably well
supplied with works both English and foreign, and its lower shelf
containing a double row of brown-paper covered volumes, and
many-coloured and much soiled little books, belonging to the lending
library. The walls were hung with Elizabeth's own works, for the most
part more useful than ornamental. There were genealogical and
chronological charts of Kings and Kaisars, comparisons of historical
characters, tables of Christian names and their derivations, botanical
lists, maps, and drawings--all in such confusion, that once, when Helen
attempted to find the Pope contemporary with Edward the First, she
asked Elizabeth why she had written the Pope down as Leo Nonus
Cardinal, on which she was informed, with a sufficient quantity of
laughter, that the word in question was the name of a flower, Leonurus
Cardiaca, looking like anything but what it was intended for in
Elizabeth's writing, and that Pope Martin the Fourth was to be found on
the other side of the Kings of France and Spain, and the portrait of
Charles the First.
Public-domain text, read in full here on John Shaqi.
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