[1] George Bullock and Edward Blore, London architects and furnishers. Atkinson was the artist who arranged the interior of Abbotsford. By July, 1817, the foundation of the existing house, which extends from the hall westwards to the original courtyard, had been laid, and Scott found a new source of constant occupation in watching the proceedings of his masons. In consequence of a blunder or two during his absence, 'I perceive the necessity,' he said, 'of remaining at the helm.' To Joanna Baillie he writes in September: 'I get on with my labours here; my house is about to be roofed in, and a comical concern it is.' There is some correspondence in October between Scott and Terry relative to the tower, a leading feature of the building. Scott mentions that (Sir) David Wilkie, who had just been his guest, 'admires the whole as a composition, and that is high authority.' 'I agree with you that the tower will look rather rich for the rest of the building, yet you may be assured that, with diagonal chimneys and notched gables, it will have a very fine effect, and is in Scotch architecture by no means incompatible.' In the beginning of 1818, he again writes to Terry: 'I am now anxious to complete Abbotsford. I have reason to be proud of the finishing of my castle, for even of the tower, for which I trembled, not a stone has been shaken by the late terrific gale which blew a roof clean off in the neighbourhood.' Lockhart, who saw Abbotsford for the first time in 1818, confesses that the building presented a somewhat 'fantastic appearance,' the new and old by no means harmonizing. He was there again in 1819, and in February, 1820, he married Scott's daughter. In the same year Scott writes to his wife from London, whither he had gone to receive his baronetcy: 'I have got a delightful plan for the addition at Abbotsford which, I think, will make it quite complete, and furnish me with a handsome library, and you with a drawing-room and better bedroom. It will cost me a little hard work to meet the expense, but I have been a good while idle.' The plans for these new buildings, including the wall and gateway of the courtyard and the graceful stone screen which divides it from the garden, were made by Blore, although the screen--with its carvings taken from details of stone-work at Melrose Abbey--was originally devised by Sir Walter himself. During the winter of 1821 the new operations were commenced. By the spring of 1822 they were in full swing. 'It is worth while to come,' he writes to Lord Montagu, 'were it but to see what a romance of a house I am making'; and to Terry later on: 'The new castle is now roofing, and looks superb--in fact, a little too good for the estate; but we must work the harder to make the land suitable.' That same summer the place was besieged by visitors from the South, who, after witnessing the King's reception at Edinburgh, hastened out to see Abbotsford. In October, 1822, he writes