Abbotsford (Scotland); Scott, Walter, 1771-1832 -- Homes and haunts
'I could not help giving utterance to my thoughts. Scott hummed
for a moment to himself, and looked grave; he had no idea of
having his muse complimented at the expense of his native hills.
"It may be partiality," said he, at length; "but to my eye, these
grey hills and all this wild Border Country have beauties peculiar
to themselves. I like the very nakedness of the land; it has
something bold, and stern, and solitary about it. When I have been
for some time in the rich scenery about Edinburgh, which is like
ornamented garden land, I begin to wish myself back again among
my honest grey hills; and if I did not see the heather at least
once a year, _I think I should die_!" The last words were said
with an honest warmth, accompanied with a thump on the ground with
his staff, by way of emphasis, that showed his heart was in his
speech.'
Following Irving's visit came Lady Byron--for a day only--spent
on the banks of the Yarrow. Lord Byron never was at Abbotsford.
Scott and he met at John Murray's London house and elsewhere,
and they frequently corresponded. Like the old heroes in Homer,
they exchanged gifts. Scott gave Byron a beautiful dagger mounted
with gold, which had been the property of the redoubted Elfi Bey,
and some time after, Byron sent to Abbotsford a large sepulchral
vase of silver, filled with dead men's bones from the Piræus, and
suitably inscribed. A letter from the noble poet accompanying the
gift was filched from the vase, much to Scott's annoyance.
That same year, 1817, Sir David Wilkie painted his incongruous
'Abbotsford Family' (in the Scottish National Gallery), wherein
Scott figures as a miller and the rest of the group as peasants.
Sir Adam Ferguson, who commissioned the picture, was depicted as
a poacher. Wilkie's impressions of Abbotsford, in a letter to his
sister, reveal the pleasant nature of his visit. 'I have never been
in any place,' he says, 'where there is so much real good humour
and merriment. There is nothing but amusement from morning till
night, and if Scott is really writing "Rob Roy," it must be while
we are sleeping.' (That was practically so.) 'He is either out
planting trees, superintending the masons, or erecting fences, the
whole of the day. He goes frequently out hunting, and this morning
there was a whole cavalcade of us out hunting hard.'
Public-domain text, read in full here on John Shaqi.
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