"Maria would like to leave now. Will you take her back to our hotel?
There are some people here I must see...."
"Of course!"
Yet, in spite of his eagerness to get better acquainted with Maria,
Walther was reluctant to leave. There was so much more he wanted to
ask, to learn. And deep beneath the surface of his thoughts a bold idea
was beginning to form.
As if reading his mind, Willy said:
"We have no performance tomorrow afternoon. Come and see me at our
hotel--we'll talk further! Meanwhile--" Willy's blue eyes sparkled
again, "Meanwhile, for the young, the evening is still young. It should
be an interesting challenge!"
* * * * *
Maria said nothing until they had left the apartment building and
started across the street to the monorail station. Then she stopped,
drew a long breath of the wintry air, and shook her head.
"Whtrblvng!" she exclaimed.
She smiled at his puzzled expression and tucked her arm through his.
When they were inside the station, he handed her his Manual. She
flipped through the pages, but could not find the exact translation
of her remark. Finally, she picked out parts of three phrases. Put
together, they read:
"What a terrible evening!"
After the first shock of her words, Walther realized he could expect
her to feel no differently. She was a product of her culture, and
evidently this had been her first visit to Willy's Bohemia.
It was past midnight when they boarded the monorail, and they were
alone in the car. Fumbling in her purse for a coin, Maria pointed to
the small screen on the back of the seat in front of them. Walther
offered a handful of coins. She put one into the slot beside the
screen. A comedy sequence appeared, lasting for approximately thirty
seconds. Much of it was lost to Walther, because he couldn't understand
the dialogue. But Maria laughed gaily. The tension lines, the outward
evidences of inner emotional control, began to smooth away. Her cheeks
flushed; her dark eyes began to sparkle. This was the Maria Walther
felt he could learn to know.
Public-domain text, read in full here on John Shaqi.
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