In 1560 the government ordered the destruction of the altars, images
and other monuments of the old faith, and this cathedral suffered
with the rest. It was despoiled of all its costly ornaments and the
choir was demolished. The roof was stripped of its lead and the
bells were carried off. All that remains to-day is the nave (now the
parish church), a south porch, the western towers and fragments of
the transept walls, which contain tombs of Bishop Lichtoun, Bishop
Dunbar, and others. This is the only granite cathedral in the country,
and, though dating from the Middle and late Pointed periods, has
reminiscences of the Norman style in its short, massive cylindrical
pillars and plain unadorned clerestory windows. Another feature is
the great western window divided by six long shafts of stone. The
finely carved pulpit now in the Chapel of King’s College is a relic of
the wood-carvings destroyed in 1649. The whole is extremely plain but
highly impressive and imposing. Its flat panelled oak ceiling decorated
with heraldic shields of various European kings, Pope Leo X, and
Scottish ecclesiastics and nobility (48 in all) is worthy of mention.
This heraldic ceiling was restored in 1868-71.
[Illustration: King’s College, Aberdeen University]
Of later date is King’s College Chapel, at no great distance from
the Old Cathedral. It is a long, narrow but handsome building begun
in 1500, shortly after the foundation of the University by Bishop
Elphinstone. The chapel and its graceful tower are the oldest parts of
the College buildings which had originally three towers.
[Illustration: East and West Churches, Aberdeen]
The surviving one is a massive structure buttressed nearly to the
top and bearing aloft a lantern of crossed rib arches, surmounted by
a beautiful imperial crown with finial cross, somewhat resembling
St Giles’s in Edinburgh. The difference is that King’s College has
four ribs while St Giles’s has eight. The whole is of freestone
from Morayshire. The entire building is a mixture of Scottish and
French Gothic styles, and retains in the large western window the
semi-circular arch, a peculiarity of Scottish Gothic throughout all
periods. The canopied stalls and the screen of richly carved oak,
Gothic in design and most beautifully handled, take a place among the
finest pieces of mediaeval carved work existing in the British Empire.
Their beauty and delicacy, according to Hill Burton, surpass all
remains of a similar kind in Scotland. The chapel contains the tomb
of Bishop Elphinstone. It was once highly ornamented, but meantime is
covered with a plain marble slab. Its restoration is in prospect.
St Nicholas Church, Aberdeen (now the East and West Churches) contains
in its transepts and groined crypt and in its wood-carving, interesting
relics of twelfth, fifteenth and sixteenth century work. The nave was
rebuilt in the Renaissance style of the time (1755).
Public-domain text, read in full here on John Shaqi.
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