£250,000. This is undoubtedly the finest piece of modern architecture in the north of Scotland, and one of the most handsome and graceful in the kingdom. The College at the end of the nineteenth century was a work of the Gothic revival occupying three sides of a quadrangle, with a tower in the centre of one side. This tower has been remodelled and greatly heightened so that it is now a rival to the Municipal tower in the same street. It is known as the Mitchell tower, in compliment to the donor, the late Mr Charles Mitchell of Newcastle, whose name is also associated with the public or graduation Hall of the University. The old frontage of Marischal College was a desultory line of commonplace houses, through which by a narrow gateway entrance was gained to the quadrangle. These have all been cleared away and now a stately pile bristling with ornate pinnacles that sparkle in the sun fills the whole length of 400 feet. No less impressive than the delicately chiselled front is the back view of the College from West North Street, where a dip in the ground displays to advantage the great mass of building, the Mitchell Hall with its great Gothic window, its angle-turrets and lofty buttresses. The Northern Assurance Office stands at the angle between Union Street and Union Terrace. The clean surface and clear-cut lines of the granite masonry are very pleasant to the eye. Union Terrace contains some of the best modern buildings in the city—the Grand Hotel, the Aberdeen Savings Bank, which though very simple is an admirable specimen of a front specially designed for granite; the Offices of the Parish Council and the School Board, original and striking, the Public Library, the United Free South Church with its graceful dome, and His Majesty’s Theatre—all serve to illustrate the changes that are being rung on granite fronts in recent years. The contrast between these more ornate buildings and the severely classic simplicity of the Music Hall, a square block with a portico of Ionic pillars, belonging to the early nineteenth century, shows what a change in sentiment has taken place. The feature of all the Aberdeen architecture is the careful, conscientious workmanship, which always gives the impression of lasting solidity. The material is so irresponsive that without hard labour, no effect is produced. [Illustration: Union Terrace and Gardens, before widening of Bridge] [Illustration: Grammar School, Aberdeen] We can do no more than mention some of the other notable edifices in the city. The Grammar School, erected in 1863, is a successful application of castellated Gothic to a modern building—all the more effective that it is well set back from the street. The contiguous Art School and Art Gallery are modern buildings, each with an order of columns and a pediment which break the long low line of the façade. The elliptical arch that unites [Illustration: Gordon’s College, Aberdeen]