All this is unmeaning to the Mussulman. He fulfils Bacon’s dictum that “houses are built to live in, not to look upon, wherefore let use be preferred before uniformity.” A bare wall with narrow and barred windows facing a mean alley;—such is his house’s exterior. It seems rather to desire to escape than to court observation. It has more the air of a fortress than of a dwelling. The doorways are an exception to the prevailing plainness. They exhibit a great variety of detail, but mainly follow a Roman or Byzantine scheme, of a round arch supported on columns, the whole copiously decorated. The doors themselves are generally of simple woodwork, often heavily studded with iron, and sometimes retaining their fine old handles and knockers. To the wanderer in the Arab town they offer a never-failing source of interest and study. The elaboration of the doorway when all else that is external is plain would seem to be thoroughly congruous with Oriental taste and tradition. The door of the house and the gate of the city stand for much in private and public life, for the line that divides the intimate and the stranger, the friend and the foe. Our fathers had some sense of the dignity of the door, a sense which in our careless acceptance of decadent conventions we have almost lost. We may strive to recover it in contemplating these Arab portals. The charming drawings of Mr. Thoroton, here reproduced, accurately represent their general scheme and the variety of their ornament. A common decorative feature appears to be based on the artichoke; the precision of its symmetry doubtless appeals strongly to Mohammedan prejudices.