"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
To those who knew the "old French folk," as they came
to be called in after years, when the later emigration had
again increased the number of the weavers' colony in
Spitalfields, nothing was more remarkable than the cheerfulness,
one might almost say the gaiety, that distinguished
them. Reading the account given by French writers of
the old Huguenots in France, one might be disposed to
regard them as stern and sour sectaries, but that would
be a very erroneous opinion. Perhaps the sudden
freedom to which they came, the rest of soul, and the
opportunity to endeavour to serve God with a quiet mind
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raised them to a tranquil happiness which revived the
national characteristic of light-heartedness; but however
it may have been, the real genuine old French
weaver of Spitalfields and Bethnal Green was a very
courteous, merry, simple, child-like gentleman. The
houses in which these people lived, some of which are
still to be seen with their high-pitched roofs and long
leaden casements, were very different to the barely-furnished,
squalid places in which their descendants of
to-day are to be found; and, indeed, the Spitalfields
weaver even of seventy years ago was usually a well-to-do
person; while in the old time he could take "Saint
Monday" every week, wear silver crown-pieces for buttons
on his holiday coat, and put on silk stockings on
state occasions. This was in the days when French was
still spoken in many of the little parlours of houses that
stood within gardens gay with sweet-scented blooms of
sweet-william, ten-weeks-stock, and clove-pink. When
there was still an embowered greenness in "Bednall,"
and Hare Street Fields were within a stone's throw of
"Sinjun"—St. John, or rather St. Jean Street,—or of
the little chapel of "La Patente," in Brown's Lane,
Spitalfields. Even in later times than that, however, I
can remember being set up to a table, and shown how
to draw on a slate, by an old gentleman with a face
streaked like a ruddy dried pippin. I was just old
enough to make out that the tea-table talk was in a
strange tongue; but I can remember that there were
evidences of the refinements that the old refugees had
brought with them across the sea. Not only in their
neat but spruce attire, in their polite grace to women, in
their easy, good-humoured play and prattle to little
children, in their cultivation of flowers, their liking for
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birds, and their taste for music, but in a score of trifling
objects about their tidy rooms, where the click of the
shuttle was heard from morning to night, these old
French folk vindicated their birth and breeding. By
tea-services of rare old china, rolls of real "point" lace,
a paste buckle, an antique ring, a fat, curiously-engraved
watch, a few gem-like buttons, delicately-coloured porcelain
and chimney ornaments; by books and manuscript
music, or by flute and fiddle deftly handled in the playing
of some old French tune, these people expressed
their distinction without being aware of it. It has not
Public-domain text, read in full here on John Shaqi.
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