"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
{170}
Think how much wealth is wasted daily in the world,
and what a small part of it suffices to lighten by every
available means the burden of such lives as these; the
sorrow of those who, in the dreadful deprivation of what
to us seems almost all that makes life dear, have no
resource between that provided for them in such a place
as this and the infirmary-ward of a workhouse, amidst
sordid surroundings and the hard, mechanical, unfeeling
officialism which in such cases is little more than organised
neglect.
There are people who would reduce all charitable institutions—yes,
even such as this, of which living personal
interest and the care that comes of more than
merely casual benevolence are the very foundation and
corner-stone—to a dead level of official rule, in which
benevolence should be represented by a mechanical department,
and the sentiment of charity by a self-elected
board of control, dealing with public subscriptions as
though they were a poor-rate, and recognising neither
individual interest nor the right of contributors to give it
expression. Such a system would lack the very qualification
most needed here, and to be found only in that
voluntary personal interest that brings to the recipients
of bounty more than the mere bounty itself, the heart-throb
of sympathy, the feeling that the gift means more
than the cold official recognition of a national duty, that
it is the expression of loving-kindness ever active and
living; and so making for the helpless, the destitute, and
the dying, not a mere asylum, but a home.
The entrance into the hall of a cheerful, genial gentleman,
with a kindly, brisk manner, and a reassuring expression
of deliberation and repose in his observant face and easy
bearing, rouses us from melancholy fancies, and with a
{171}
few words of courteous welcome we are at once conducted
to the door that is to open to us the first scene in this
wonderful visit.
A spacious assembly room—let us call it by the good
old name of "parlour," for there is much quietly animated
talk going on—talk, and needlework of all kinds, from
the knitting of a warm woollen shawl to the manipulation
of delicate lace, and the deft handling of implements
for making those exquisite tortures of society known as
antimacassars. With ever so wide an experience of
halls, salons, suites, or drawing-rooms, the visitor can see
nothing resembling this wonderful parlour elsewhere. A
room of noble proportions, one end of which is occupied
by an organ; the great windows reaching almost from
floor to ceiling, and overlooking a broad expanse of lawn,
with a glorious view of hill and woodland beyond; on the
tables flowers, books, ornaments; in every kind of couch
and chair—many of which are comfortable beds on wheels
and springs—a company of women, with bright, cheerful,
intelligent faces, full of a recent interest, and, even in
cases where some paroxysm of pain is passing, with a
certain serene satisfaction which it is infinitely good to see.
Public-domain text, read in full here on John Shaqi.
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