"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
There has been a morning service, conducted by a
visiting clergyman, and there is a general expression of
approval which, if the reverend gentleman himself were
present to witness it, would surely prove highly gratifying.
The congregation has settled down to easy talk,
and has resumed its occupation of plain and fancy needlework.
Here is an old lady whose silver hair adds to her
natural grace and dignity, who is busy with wool-knitting,
and at the same time engages in a discriminating
criticism of the address to one of the many visitors who
sit and spend an hour of their afternoon in agreeable chat.
{172}
There is a pretty but rather sad-eyed mignon lady, whose
excellently-fitting silk dress, delicate hands, and general
"niceness" of appearance, quite prepare us to see the
beautiful examples of all kinds of fancy work of which
she never seems to tire. Every year, in June, they hold
a grand bazaar at the hospital, so that those who are
skilful and capable are able to earn enough money to
clothe themselves as they please—everything except
clothing being found by the charity, except to two or
three inmates who are able to pay for their own maintenance.
Now we hear the low tones of cheerful talk,
the pleasant ripple of laughter—note the brightening
glance, the quick smile, the feeble but earnest finger-clasp
which greets the cheerful salutation of the house governor,
Mr. Darbyshire, or the presence of his wife, the lady
matron of this great happy family of incurables, we begin
to wonder at our gloomy estimate of the place before
this visit.
Nor is the revelation of cheerfulness, of light in
shadow, less remarkable in the dormitories themselves.
But then what rooms they are! Each bed is, as it
were, set in an alcove of its own snow-white hangings,
relieved by bits of colour which would delight an
artist's eye—pieces of embroidery, framed illuminated
texts, bright flecks of Berlin woolwork, or glistening
designs in beads, or deep glowing knick-knacks wrought
in silk and lace. Each little bedside table, though it
may hold medicine and diet—drink and requisites for
the sick—is decked with flowers and little framed pictures,
gaily-bound books, and bright-hued toys and trifles,
that make it look like a miniature stand at a fancy fair.
In some cases the sense of combined purity and glow of
colour is so great, that it is difficult to realise that we
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are in one or other of a series of sick-rooms. Everything
is so spotless, so exquisitely clean and orderly, that
nothing less than perfect nursing could explain it—for be
it remembered that the place is open to visitors every
day—and amidst some of the most terrible afflictions
from which humanity can suffer there is nothing revolting.
Expressions of pain and of utter prostration and weakness
there are, of course; but even these are only alternative
with the general placid contentment and thankfulness
that is the prevailing characteristic.
Public-domain text, read in full here on John Shaqi.
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