"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
Street, Gastigny Place, and part of Bath Street, while
the number of inmates was reduced to sixty—that is to
say, about twenty men and forty women, all of whom
were to be above sixty years of age, of French extraction,
and professing the Protestant religion. It was a
queer old range of building, that retreat; pleasant
enough, perhaps, when as a rather blank series of red
brick houses, it looked across its own formal walled
garden to the pleasant fields and open country, but
strangely silent, and with a crumbling, dreary look about
it, when the lunatic asylum of St. Luke's dominated all
the surrounding tenements of a crowded, sordid neighbourhood.
Only the initiated could easily find the little
low black door that opened in the bare wall, and led to
the large irregular space, which was laid out in weedy
beds and stony borders, distinguished by an air of decay
rather than of production—especially where in certain
dank corners a tangle of sapless stalks and tendrils indicated
some faintly hopeful attempt to rear an arbour, in
which persons of robust imagination might fancy they
were sheltered from impending blacks that issued from
the manufactory chimneys close by. The visitor to this
out-of-the-way corner of the great city, seeing the old
people walking up and down the paved causeway in
front of the row of crooked-paned lower windows, or
airing themselves at the doorsteps, might be excused for
the fancy that they had the imaginative faculty of children;
{23}
and were expected to "make believe" a good
deal before they could quite reconcile themselves to the
notion that this dingy area of quadrilateral plots and
paths, in which the wet stood in small puddles, was ever
a "pleasaunce" gay with garden blooms, and smelling of
knotted marjoram and fragrant thyme. Yet there were
still evidences of the invincible cheerfulness of the old
French nature, among the old creatures with faces
streaked like winter apples, and hands which, even
though they trembled, were swift of gesture and of emphasis.
Public-domain text, read in full here on John Shaqi.
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