"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
But, hush! there is a hymn sounding yonder in the
refectory; a hymn sung by voices, many of which are yet
fresh and clear, though the singers number more than
eighty years of life, and of life that has often been hard
and full of heaviness.
It is the grace before meat, and the hot joints, with the
fresh vegetables from their own garden, have just come
up from the big kitchen by means of a lift to the serving-room.
There are no servants to wait at table, and the family
dinner-party is a private one, inasmuch as it is the custom
here for the most active of the inmates to agree among
themselves who shall be butler, or beaufetière, for each day
during the week. So the dinner-time goes pleasantly
and quickly, the meat, the vegetables, and the capital
household beer, of which each man has a pint twice a
day, and each woman half a pint, being the only articles
that require serving.
The good old-fashioned family custom of everybody
having his or her own teapot is observed here. A great
gas-boiler stands on one side the refectory, and a row of
convenient lockers on the other; and each inmate has
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tea and coffee from the stores, while bread and butter are
also served out for consumption according to each individual
fancy, and not in rations at each meal time. Thus
those old ladies and gentlemen who have spending money,
or friends to bring them some of the little luxuries that
they so keenly appreciate, can add a relish to their breakfast
or to the evening beer.
We will not go in while they are at dinner, for there
are those here yet who "might have been gentlefolk"
but for the mutability of mortal affairs. Stay! here
come the old ladies, with old-fashioned curtseys, which are
more than half a bow, and not a mere vulgar "bob."
There is no mistaking some of their faces. You may see
their like in French pictures, or in old French towns still.
Some of them with eyes from which the fire had not yet
died out; with deftly-moving fingers; with a quick,
springy step; with an inherited remnant of the French
moue and shrug, as they answer a gentle jest about their
age and comeliness.
"Eighty-four; and I don't know how it is, but I don't
seem to see so well in the dark as I used. When I went
out to see my brother-in-law, I was quite glad he came
part of the way home with me."
"Turned eighty, but I can't get upstairs as I used to
do."
"You speak French, madame?"
Public-domain text, read in full here on John Shaqi.
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