"About My Father's Business": Work Amidst the Sick, the Sad, and the SorrowingArcher, Thomas
Religion
"About My Father's Business": Work Amidst the Sick, the Sad, and the Sorrowing
Archer, Thomas
Pastoral theology
There is enough work for the matron, her assistant,
and the four or five young nurses who receive these welcome
little guests each morning. The rows of large
metal basins on the low stands are ready, and the morning's
ablutions are about to commence, so we will return
presently, as people not very likely to be useful in the
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midst of so intricate an operation as the skilful washing
and dressing of half a hundred babies.
There is plenty to see in the neighbourhood out of
doors, but we need not wander far to find something interesting,
for on the ground-floor of these three houses
which form the Crèche—the babies' home—provision
has also been made for babies' fathers, in the shape of
"a British Workman," or working-man's reading, coffee,
and bagatelle room, with a library of readable books, and
liberty to smoke a comfortable pipe.
Of the servants' home, which is another branch of this
cluster of charitable institutions, we have no time to
speak now, for our visit is intended for the Crèche, and
we are already summoned to the upper rooms by the
sound of infant voices. Doubt not that you will be
welcomed on the very threshold, for here comes an
accredited representative of the institution, just able to
creep on all fours to the guarded door, thence to be
caught up by the gentle-faced young nurse, who at once
consigns the excursionist to a kind of square den or
pound, formed of stout bars, and with the space of floor
which it encloses covered by a firm mattress. There, in
complete safety, and with two or three good serviceable
and amiably-battered toys, the young athletes who are
beginning to practise the difficult feat of walking with
something to hold by, are out of harm's way, and may
crawl or totter with impunity. They have had their
breakfast of bread and milk, and are evidently beginning
the day, some of them with a refreshing snooze in the
little cribs which stand in a row against a wall, bright,
as all the walls are, with coloured pictures, while in spaces,
or on low tables here and there, bright-hued flowers and
fresh green plants are arranged, so that the room, necessarily
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bare and unencumbered with much furniture, is so
pleasantly light and gay, that we are again reminded of
a great bird-cage. Out here in a little ante-room is a
connected row of low, wooden arm-chairs, made for the
people of Lilliput, and each furnished with a little tray
or table, and, drumming expectantly and with a visible
interest in the proceeding, sit a line of little creatures,
amidst whom a nurse distributes her attentions, by feeding
them carefully with a spoon, just as so many young
blackbirds might be fed. Already some of the little
nurslings are sitting up in their cribs, quietly nodding
their round little heads over some cherished specimen of
doll or wooden horse. One wee mite of a girl, quite unable
to speak, except inarticulately, holds up the figure
of a wooden lady of fashion, with a wistful entreaty
Public-domain text, read in full here on John Shaqi.
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