which we fail to understand, till the quick-eyed lady who accompanies us spies a slip of white tape in the tiny hand, and at once divines that it is to be bound about the fashionable waist, as an appropriate scarf, and at once performs this finishing stroke of the toilet, to the immeasurable satisfaction of everybody concerned. This is in the upper room, the real baby nursery, where the age of some of the inmates is numbered by weeks only, and there is in each swinging cot a sweet, sleepy sense of enjoyment of the bottle which forms the necessary appliance of luncheon-time. At the heads of several of these cots are inscribed the names of charitable donors, happy parents, bereaved mothers, sympathetic women with babies of their own, either on earth or in heaven, who desire to show gratitude, faith, remembrance, by this token of their love for the childlikeness of those they love and cherish in their deepest memories, their most ardent hopes. In more {118} than one of the little beds there are signs of the poverty or the sickliness in which the children were born, and the effects of which this home, with its freshness and light and food, is intended to remedy. No cases of actual disease are here, however, since a small infirmary for children suffering from more serious ailments has been added to the institution, and the Sick Children's Hospital is but three street lengths distant. The first most remarkable experience which meets the visitor unaccustomed to observe closely, is the freshness and beauty of the children in this place. Squalid misery, dirt, neglect, starvation, so disguise and debase even the children in such neighbourhoods, that squeamish sentimentality turns away at the first glance, and is apt to conclude that there are essential differences between the infancy of Tyburnia or Mayfair and the babyhood of Ratcliff and Shadwell. Yet I venture to assert that if Mr. Millais or some other great painter were to select his subjects for a picture from these rooms of the old house in Stepney Causeway, he would leave the galleries of Burlington House echoing with "little dears," and "what a lovely child!" and popular prejudice would conclude that from birth the little rosebud mouths were duly fitted with silver spoons instead of being scant even of the bluntest of wooden ladles. At this Crèche at Stepney Causeway the reasons of the true childlike freshness, alacrity, and even the engaging impetuosity and loving confidence which characterise these little ones, is not far to seek. As you came up you noticed row after row of blue check bags, hanging in a current of fresh air on the wall of the staircase.