A solitary fiacre passed me slowly with no one on the box, but with
the coachman sitting back in his cab. He was returning to the stables,
evidently, and had on his way given a seat to a girl from the street,
whom he was now entertaining with genial courtesy. He had one leg
thrown over the other, and one arm passed back along the top of the
seat, and with the other he waved to the great buildings as they sprang
up into life as the day grew. The girl beside him was smiling at his
pleasantries, while the rising sun showed how tired and pale she was,
and mocked at the paint around her sleepy eyes. The horse stumbled at
every sixth step, and then woke again, while the whip rocked and rolled
fantastically in its socket like a drunken man. From up the avenue of
the Champs Élysées came the first of the heavy market-wagons, with the
driver asleep on the bench, and his lantern burning dully in the early
light. Back of him lay the deserted stretch of the avenue, strange
and unfamiliar in its emptiness--save for the great arch that rose
against the dawn, and seemed, from its elevation on the very top of the
horizon, to serve as a gateway into the skies beyond. The air in the
Champs Élysées was heavy with a perfume of flowers and of green plants,
and the leaves dripped damp and cool with the dew. Hundreds of birds
sang and chattered as though they knew the solitude was theirs but
for only one more brief hour, and that they then must give way to the
little children, and later to crowds of idle men and women. It seemed
impossible that but a few hours before Duclerc had filled these silent,
cool woods with her voice--Duclerc, with her shoulder-straps slipping
to her elbows and her white powdered arms tossing in the colored lights
of the serpentine dance. The long, gaudy lithographs on the bill-boards
and the arches of colored lamps stood out of the silence and fresh
beauty of the hour like the relics of some feast which should have been
cleared away before the dawn, and the theatres themselves looked like
temples to a heathen idol in some primeval wood. And as I passed out
from under the cool trees to the silent avenues I felt as though I had
caught Paris napping, and when she was off her guard, and good and
fresh and sweet, and had discovered a hidden trait in her many-sided
character, a moment of which she would be ashamed an hour or two later,
as cynics are ashamed of their secret acts of charity.
II
THE SHOW-PLACES OF PARIS
NIGHT
Public-domain text, read in full here on John Shaqi.
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