"Surely that is unnecessary, Peggy! You can read the play without changing your clothes!" echoed the vicar; but, from the chorus of disclaimer which greeted his words, it appeared that the young people could do nothing of the sort. Max wanted to know how a fellow could possibly "talk Shylock" in a white tie and an evening jacket. Oswald thought it equally ridiculous to pose as an Italian lover in English clothing; and Peggy turned up her eyes and said she could not really abandon herself to her part if her costume were inappropriate. Even Esther, the sober-minded, sided with the rest, so the vicar laughed and gave way, only too pleased to sanction anything which helped the object which he had at heart. "Dress up by all means, if it pleases you. It will be interesting to see the result. But, of course, I must be absolved from any experiments of the kind." "Oh, of course! And mother, too, if she likes, though I should love to see her made-up as Shylock! You must not see or ask about our dresses until the night arrives. They must be a secret. You will lend us all your fineries, mother--won't you?" "Bless your heart, yes! But I haven't got any!" said Mrs Asplin, in her funny Irish way. "They were all worn out long, long ago." She gave a little sigh for the memory of the days when she had a wardrobe full of pretty things and a dozen shimmery silk dresses hanging on the pegs, and then flashed a loving smile at her husband, in case he might think that she regretted their loss. "If there is anything about the rooms that would do, you are welcome to use it," she added, glancing vaguely at the sideboard and dumb waiter, while the boys laughed loudly at the idea of finding any "properties" in the shabby old dining-room. Peggy, however, returned thanks in the most gracious manner, and sat wrapt in thought for the rest of the evening, gazing darkly around from time to time, and scribbling notes on sheets of note-paper. Short of playing Shylock, which in the end fell to Maxwell's share, it seemed as if all the responsibility of the performance fell on Peggy's shoulders. She was stage manager, selecting appropriate pieces of furniture from the different rooms and piling them together behind the screen in the study, whence they could be produced at a moment's notice, to give some idea of the different scenes. She coached Esther and Mellicent in their parts, designed and superintended the making of the costumes, and gave the finishing touches to each actor in turn when the night of the "Dramatic Reading" arrived. "Taking one consideration with another," as Max remarked, "the costumes were really masterpieces of art." To attire two young gentlemen as Italian cavaliers, and a third as a bearded Jew, with no materials at hand beyond the ordinary furnishings of a house, is a task which calls for no small amount of ingenuity, yet this is exactly what Peggy had done.