English fiction -- 20th century; Short stories, English
We went, as quietly as Mr. Jackson’s bright boots would permit, into
his room, where the landlady was sitting gazing angrily at the cats.
She went out without noise, flouncing her head as much as to say:
“Well, now you can see what I have to go through, sitting up here. I
never get out.”
Our little old friend was still in that curious stupor. He seemed
unconscious, but his blue eyes were not closed, staring brightly out
before them at things we did not see. With his silvery hair and his
flushed frailty, he had an unearthly look. After standing perhaps three
minutes at the foot of the bed, Mr. Jackson whispered:
“Well, he does look queer. Poor little old chap! You tell him from me
I’ll look after his cats and birds; he needn’t worry. And now, I think
I won’t keep the car. Makes me feel a bit throaty, you know. Don’t
move; he might come to.”
And, leaning all the weight of his substantial form on those bright
and creaking toes, he made his way to the door, flashed at me a
diamond ring, whispered hoarsely: “So long! That’ll be all right!” and
vanished. And soon I heard the whirring of his car and just saw the top
of his shiny hat travelling down the little street.
Some time I sat on there, wanting to deliver that message. An uncanny
vigil in the failing light, with those five cats--yes, five at
least--lying or sitting against the walls, staring like sphinxes at
their motionless protector. I could not make out whether it was he in
his stupor with his bright eyes that fascinated them, or the bullfinch
perched on his pillow, whom they knew perhaps might soon be in their
power. I was glad when the landlady came up and I could leave the
message with her.
When she opened the door to me next day at six o’clock I knew that he
was gone. There was about her that sorrowful, unmistakable importance,
that peculiar mournful excitement, which hovers over houses where death
has entered.
“Yes,” she said, “he went this morning. Never came round after you
left. Would you like to see him?”
We went up.
He lay, covered with a sheet, in the darkened room. The landlady pulled
the window-curtains apart. His face, as white now almost as his silvery
head, had in the sunlight a radiance like that of a small, bright angel
gone to sleep. No growth of hair, such as comes on most dead faces,
showed on those frail cheeks that were now smooth and lineless as
porcelain. And on the sheet above his chest the bullfinch sat, looking
into his face.
The landlady let the curtains fall, and we went out.
“I’ve got the cats in here”--she pointed to the room where Mr. Jackson
and I had talked--“all ready for that gentleman when he sends. But that
little bird, I don’t know what to do; he won’t let me catch him, and
there he sits. It makes me feel all funny.”
It had made me feel all funny, too.
“He hasn’t left the money for his funeral. Dreadful, the way he never
thought about himself. I’m glad I kept him, though.” And, not to my
astonishment, she suddenly began to cry.
Public-domain text, read in full here on John Shaqi.
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